Film Production
Reliance MediaWorks wins Best Visual Effects Feature Film Studio India 2013 award
MUMBAI: Reliance Mediaworks has won the “Best Visual Effects Feature Film Studio India 2013″ award for Mani Ratnam’s film Kadal, at the 24FPS Awards 2013. The 24FPS International Animation Awards is recognition for animation talent from across India and beyond.
Reliance MediaWorks had worked on the visual effects of Mani Ratnam’s film ‘Kadal’, released on 1 February. The company provided end to end solutions for services in visual effects, digital intermediate (DI), elaborate colour grading and digital cinema mastering for the film. Kadal, revolves around the life of Christian fishermen who instill the fact how faith can lead to the triumph of humanity.
Reliance MediaWorks CEO Venkatesh Roddam said “It has been a privilege and a challenge to work with the winning combination of Mani Ratnam and Rajiv Menon, on Kadal. The duo along with the artistic editor Srihar Prasad gave us a free hand to execute their creative vision. We are very excited on winning the 24FPS Award, and I congratulate the team. The award bears testimony of how the blend of modern technology and a great pool of human talent can contribute to dramatic storytelling”
The team at Reliance MediaWorks delivered stunning visual effects (over 700+ shots) keeping a hawk eye focus on Mani Ratnam’s brief and his vision.
Adding to the same, the film’s DOP Rajiv Menon said; “We technicians work hard on every film, we also form strong bonds as we toil and try to get the colours and textures just right and when the film is released all is forgotten. I would like to place on record my gratitude to every member of the Reliance MediaWorks team who have worked round the clock, under very difficult timelines and delivered an absolutely world class post production job on the film. Half the credit I am getting for the visuals of Kadal, I need to share with the team at Reliance MediaWorks. I thank you all once again. Keep the flag flying!”
Film Production
Priyanka Kaur Dhillon joins SVF Entertainment as lead for music distribution
A seasoned content dealmaker with 16 years in digital and satellite media joins the Bengali entertainment powerhouse as it pushes into the pan-India music market
Mumbai: Priyanka Kaur Dhillon has made her move. The content acquisitions and commercials veteran, most recently commercial manager at Sony Pictures Networks India, has joined SVF Entertainment as lead for music distribution, stepping into one of the more interesting briefs in regional entertainment right now.
SVF is no ordinary regional label. Over 30 years it has built a formidable legacy in Bengali cinema and music, driven by culturally resonant storytelling and a catalogue that consistently punches above its weight. Its recent success with Chiraiya underlines the point. But the Kolkata-based powerhouse now has its sights firmly set beyond Bengal, most visibly through Legacy, a rap reality series produced in collaboration with hip-hop label Kalamkaar that signals a deliberate push into the pan-India music ecosystem.
Dhillon brings precisely the kind of muscle SVF needs for that expansion. At Sony Pictures Networks India, she led film acquisition and commercials and handled music licensing across the entire satellite network. Before that, she spent nearly 15 years at Hungama, rising to assistant general manager and leading strategic content licensing for the platform’s digital entertainment business, with a particular focus on international markets. Her label relationships span the full roster: Sony Music, Universal Music, Warner Music, Believe International, Tunecore, The Orchard and a clutch of smaller aggregators. She has negotiated and closed deals with Hollywood studios, Bollywood production houses and regional content players alike, building pricing models and deal structures off data analysis rather than instinct.
Announcing the appointment, Dhillon said she was “thrilled to begin this journey with an iconic Bengali music label and content powerhouse,” adding that SVF’s “constant drive to push boundaries” was what drew her to the role.
SVF has spent three decades proving that regional does not mean limited. With a sharp commercial operator now steering its music distribution, its bid to go national just got a good deal more serious.
