GECs
Reddy asks Karnataka Govt to sort out film ban mess
BANGALORE: Terming the present seven-week ‘ban’ more of a ‘law and order’ problem than a legal one and an emotive issue, Union information and broadcasting minister Jaipal Reddy has asked the Karnataka government to sort out the mess and to see to it that new non-Kannada films were not barred from being released in the State.
The seven-week ban on non-Kannada films was imposed by the Pandey Panel comprising Kannada producers.
Reddy was in Chennai yesterday to address an All-India conference on regional films organised by the Southern India Film Chamber of Commerce.
Media reports say that “gentle pressure” was exerted by the Union minister when he spoke to Karnataka CM Dharam Singh. A meeting of the Pandey Committee has been convened on 13 September and the non-Kannada Film Exhibitors and Distributors Associations have decided to appeal to the panel to review its decision on the seven week moratorium on the release of non-Kannada films and to ask the government to roll back its decision to cut the entertainment tax on non-Kannada films from 70 per cent to 40 per cent.
In the meantime, an unsigned faxed press release received by indiantelevision.com last week, attributed to minister HD Kumaraswamy, the son of former prime minister Deve Gowda and the president of the Karnataka Cinema Theatre Owner’s Association (KCTO), a statement mentioning that any film with which producer and director S V Rajendra Singh Babu is directly or indirectly associated would not be displayed in any theatre in Karnataka for the next five years starting 8 September, 2004 till 8 September, 2009.
The release terms the statements as wild, derogatory, inflammatory, disturbing and provocative. It goes on to say that the disturbing remarks and utterances made against the KCTOA secretary Dhananjay KV on 4 September 2004 and also his continued assault against theatre owners have necessitated this step. The press release also states that the association had considered a life ban on Rajendra Singh Babu’s films. This release has been widely quoted in the media.
Reacting to this, the producers association has demanded an apology from HD Kumaraswamy saying that comments against Rajendra Singh Babu were not just against one individual but also against all producers and directors of Kannada films.
As per reports in the media, Kumaraswany has said, “No unsigned Press release issued in my name is valid. I am responsible only for press release signed by me.”
Meanwhile,Prana and Yahoo, two new Kannada films, which were released yesterday, opened to a lukewarm response in Bangalore and have been termed a non-event by some sections of the local press. Four of the 68 theatres that announced closure have reopened to weak response. The theatres were screening re-runs of Kill Bill, Runaway Jury and new movies Out Of Time and Man Of Fire. The theatre owners state that they have not withdrawn support from the KCTOA but that they could not see their theatres closed and wanted to remind cine-goers to go to theatres.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
