Hindi
PVR to release Chaurahen on 16 March
MUMBAI: PVR Cinemas is gearing up to release director Rajshree Ojha’s film, Chaurahen (Crossroads), across Delhi Gurgaon, Kolkata, Mumbai, Chennai and Bangalore on 16 March.
The film is based on short stories penned by author Nirmal Verma. An urban film about relationships and set in three cities, the film shows a Mumbai couple going through ups and downs in their relationship, an extra-marital affair in Kolkata and a father coming to terms with his son’s death in Kochi.
Chaurahen stars Zeenat Aman, Victor Banerjee, Roopali Ganguly, Soha Ali Khan and Shayan Munshi in pivotal roles.
Interestingly, Charlie Chaplin’s granddaughter Kiera has an important role in the film. She plays Lea, who has an extramarital affair in Kolkata.
Explaining how she got Kiera on board, Ojha disclosed, “She had watched my first film Moment (1999) which I made as a student in America. It fetched me a Student Academy Award (an Oscar competition for student films initiated by Academy of Motion Pictures, Arts and Sciences). After that she evinced interest in working with me. I informed her that I was shooting in Mumbai. She said she had no issues and that’s how she came on board.”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
