Hindi
PVR Inox wins first round in Bhool Chuk Maaf battle: court halts Maddock’s OTT debut
MUMBAI: The Bombay high court has thrown a wrench into Maddock Films’ plan to skip the cinemas and take Bhool Chuk Maaf straight to Amazon Prime Video. In a dramatic turn, the court issued an interim stay on the film’s OTT release, siding with PVR Inox in a fierce Rs 60 crore legal battle.
The courtroom clash erupted after Maddock Films, citing “heightened security drills across the nation” amid an India-Pakistan conflict, decided to ditch the planned 9 May theatrical release and launch the Rajkummar Rao and Wamiqa Gabbi starrer directly online on 16 May. But PVR Inox, which had already geared up for the theatrical launch, wasn’t having it.
PVR Inox’s counsel, Dinyar Madon, told the court that Dinesh Vijan’s Maddock had breached a 6 May contract that locked the film into an eight-week theatrical run before any streaming release. “The producers pulled the plug on the deal just a day before the release,” he argued. The multiplex giant demanded Rs 60 crore in damages.
Maddock’s defence, led by Venkatesh Dhond, tried to wriggle out, claiming the eight-week clause only mattered if the film actually released in cinemas. But justice Arif Doctor wasn’t convinced. He pointed out that PVR Inox had already reserved screens, promoted the film, and sold tickets. Cancelling at the last minute, he said, would damage the multiplex chain’s reputation and goodwill.
The showdown is far from over. Maddock Films must now file a response before the next hearing on 16 June.
In the meantime, Bhool Chuk Maaf is stuck in limbo — a family entertainer without a family to watch it.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
