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Pretty Little Liars writer to pen teen horror film

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MUMBAI: The writer/creator of the blockbuster teenage drama, Pretty Little Liars, I. Marlene King will soon write the screenplay for the motion picture adaptation of an upcoming teen horror novel. Lionsgate, has acquired the film rights to Daniella Vega’s upcoming book, The Merciless with Alloy Entertainment, a television production unit of Warner Bros. Television. Through her chilling debut, Vega aims to deliver blood-curdling suspense and terror on every page. According to the official synopsis of the book, by the shockingly twisted end, readers will be faced with the most haunting question of all: Is there evil in all of us?

 

Here is the official synopsis of the book:

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Brooklyn Stevens sits in a pool of her own blood, tied up and gagged. No one outside of these dank basement walls knows she’s here. No one can hear her scream.

Sofia Flores knows she shouldn’t have gotten involved. When she befriended Riley, Grace, and Alexis on her first day at school, she admired them, with their perfect hair and their good-girl ways. They said they wanted to save Brooklyn. They wanted to help her. Sofia didn’t realize they believed Brooklyn was possessed.

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Now, Riley and the girls are performing an exorcism on Brooklyn—but their idea of an exorcism is closer to torture than salvation. All Sofia wants is to get out of this house. But there is no way out. Sofia can’t go against the other girls . . . unless she wants to be next. . . .

 

Kirkus Reviews opines on the book that, “It’ll take a sturdy reader not to keep flinching—or put this exercise in sensation down altogether.”

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Lionsgate recently achieved tremendous success with Divergent, the dystopian teen romance starring Ansel Elgort and Shailene Woodley. The film just grossed a worldwide box office of $260 million including India.

 

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Pretty Little Liars will soon return to Zee Cafe with the fifth season which will deal with the girls, and how they have to adjust to the new world where Alison is in.

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Hollywood

Utopai Studios partners Huace to deploy PAI for long form content

Deal includes revenue sharing as Huace adopts AI engine across global ops

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MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.

At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.

For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.

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The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.

Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.

The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.

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What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.

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