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Polanski apologises to victim in new documentary

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MUMBAI: Directing his apology to Samantha Greimer, the woman he sexually assaulted 33 years ago, Roman Polanski has made a new documentary that had its world premiere Tuesday at the Zurich Film Festival.

"She is a double victim: my victim and a victim of the press," the director says near the end of the documentary Roman Polanski: A Film Memoir.
 
The film, shot while Polanski was under house arrest in Switzerland two years ago awaiting possible extradition, offers little new information not already in the public record.

It is also unlikely to sway anyone on the fence in the Polanski case. The film — one long, wide-ranging conversation between Polanski and his old friend and colleague, producer Andrew Braunsberg.

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The Greimer case takes up only a small portion of the film while the bulk of the film is dedicated to Polanski‘s childhood in German-occupied Poland, including his escape from the Warsaw ghetto and his early life and career.

Polanski chose to use the 2011 Zurich Film Festival as the platform for the world premiere of the documentary, picking the date almost two years to the day when he was arrested en route to a ceremony to receive a lifetime achievement award.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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