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Plea for promoting inter-state tourism through films: Locations 2003

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MUMBAI: Locations 2003, the world’s first film tourism event, which brought together the Indian film industry and global Locations organisations to promote film tourism, concluded yesterday in Mumbai.

The morning session commenced with a panel discussion on domestic tourism and the role of regional cinema and the Indian states in promoting it via subsidised film production. The panel comprised India Tourism Development Cooperation (ITDC) general manager Kuldeep Verma, Chhattisgarh Tourism Board managing directo Dr A Jayathilak and film maker Dr Jabbar Patel.

“Tourism is a smokeless industry and the revenue it can generate is very high. Employment opportunities are also very high compared to any other industry,” said Verma. “Last year, compared to the 205 million foreign tourists, there were 210 million domestic tourists in India. So the idea emerged that why not do something within the country rather than on foreign locations,” he said.

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Bollywood has played a pivotal role in flaunting locales from Europe and down under, which helps in boosting the tourism industry of these countries. The panel opined that if films are shot in and around Indian states it could do wonders to the overall tourism trade in the country.

Jayathilak stressed on the point that interstate tourism is not well-documented in our country. “Regional cinema here still has language barriers, so the onus lies on the Hindi film fraternity to shoot movies all over India,” he said.

Jayathilak added, “The Jammu and Kashmir government gives a subsidy of Rs 10 million to film producers, if 100 per cent of a film is being shot in the state. Likewise, the UP and Goa governments gives a subsidy of Rs 7.5 million and Rs 2.5 million respectively, if 50 per cent of their film is shot in these states. This, however, cannot be implemented in Maharashtra as most movies are shot here and the subsidy amount would go up to hundreds of millions of rupees.”

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Film marketing consultant Shanjoy Bhattacharjii said, “Maharashtra has to offer good benefits to producers otherwise they will go to other cities or even to foreign countries because they offer good incentives.” Speaking about foreign countries he said, “The Singapore tourism board offers free stay and free tickets to film producers so as to lure them to come more often to their country. They have realised that such attractive offers can account for a boom in the tourism trade of their country.”

Bhattacharjii also said, “Although the film industry has been declared an ‘industry’ in our country, it hasn’t been given that much of importance vis-a-vis industries like textiles, IT, electronics, steel etc.” He said there should be a provision of the best infrastructure and streamlining of things by implementing the ‘single window’ system.

The countries that participated in Locations 2003 were Australia, New Zealand, Malaysia and Germany.

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Sony PAL to air Sankat Mochan Hanuman from May 4 at 9 PM

Mythological series brings Lord Hanuman’s tale of devotion and courage back to TV

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MUMBAI: Sony PAL is set to bring back the timeless mythological series Sankat Mochan Hanuman, with its premiere scheduled for May 4 at 9 PM. The show revisits the legendary journey of Lord Hanuman, offering viewers a chance to reconnect with one of Indian mythology’s most revered figures.

Centred on themes of devotion, courage and righteousness, the series traces Hanuman’s unwavering loyalty to Lord Ram and his fearless stand against evil. With its mix of dramatic storytelling and visually rich sequences, the show aims to deliver both entertainment and spiritual resonance, appealing to audiences across age groups.

The narrative unfolds as a larger-than-life saga, positioning Hanuman as the ultimate protector and a symbol of strength and selfless service. His journey, rooted in faith and duty, continues to strike a chord with viewers, making the series as relevant today as ever.

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The cast features Gagan Malik as Lord Ram, Debalina Chatterjee as Sita, Nirbhay Wadhwa in the titular role, and Saurav Gurjar as Raavan. Their performances bring depth and authenticity to characters deeply embedded in Indian cultural memory.

With its return to television, the show is positioned as more than just a rerun. It taps into a renewed appetite for mythological storytelling, blending nostalgia with timeless values.

As audiences increasingly seek content that resonates beyond entertainment, ‘Sankat Mochan Hanuman’ offers a familiar yet powerful narrative, reminding viewers that stories of faith and courage never really go out of style.

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