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Patwardhan’s docu Jai Bhim Comrade at Hong Kong film fest

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MUMBAI: Anand Patwardhan‘s 198-minute documentary, Jai Bhim Comrade, will compete at the 36th Hong Kong International Film Festival that would be held from 21 March to 5 April.

Shot in over 14 years, the documentary follows the music and the tradition of activism of the Dalits in India.

It won a special mention at the Dubai International Film Festival 2011 followed by an award at the 12th Mumbai International Film Festival for Documentary, Short and Animation films.

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The other documentary that would be screened at the festival is Bitter Seeds by Micha X. Peled of USA. The film that centers around the plight of a cotton farmer in India, how crops are grown, how they reach the consumers and the real human cost is involved.

Lucky (South Africa), directed by Avie Luthra, will also be screened at the festival.

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Hindi

Jio Studios, Sanjay Dutt team up to revive Khal Nayak

Rights acquired for new version, format under wraps as remake plans take shape.

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MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.

Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.

While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.

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The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.

The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.

For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.

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Because in Bollywood, some villains never fade, they just wait for the perfect comeback.

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