Hindi
One By Two: A Lost Cause
MUMBAI: One By Two is formula for an economic date where one shares a single soup with his date with the notion that he will get a little more than the other.
Here, the title is also symbolic of the stories which move simultaneously of two people which become one only at the end. Described as a romantic comedy, the film has these ingredients missing, romance as well as comedy! In fact, the film lacks in a definite concept. What is it all about?
Abahy Deol is a dejected man having been dumped by his girlfriend. However, he is bent on getting her back. He serenades under her balcony when he is not punching a computer keyboard in his office or strumming a sponsor’s (washing powder Nirma) jingle on a guitar. His prized possession is a DVD of a song he wrote for his girlfriend which he hopes to play for her again someday! If this is an ode to youth today, it is a sad one. His girlfriend has dropped him in favour of her dance guru so that she gets selected for a famous TV dance show.
There is another contender to the said TV show in Preeti Desai, a London trained ballet dancer. What is common between Preeti and Abhay’s ex girlfriend is that they are so determined to get on to the show carrying a prize of 10 lakh that they make it a practice of sleeping with the guys in charge! In a supposedly contemporary film, prize money of 10 lakh in a TV show must be pittance, especially considering Preeti seems to be well-off with her mother, Lillete Dubey, consuming gallons of Scotch per day. The ground for Lillete to be sauced all day is that she was dumped by her moneybag paramour.
The sequences in the film often have no relevance to previous happenings. Some things just drop from nowhere. The comedy in the film is in noisy passing of gas and other toilet humour, all repeated rather too often. The hero is confused, undecided all his life. When asked to marry a girl of family’s choice, the family being his mother Rati Agnihotri and father Jayant Kriplani, he is okay with it. The suitor is a full blown Punjabi girl endowed with all the Punjabi attributes. And, how does he make his intent of not wanting to get tied down known? On the Roka ceremony, he emerges out of his bedroom in a worn out boxers and a T shirt; he welcomes the girl’s family with a loud song accompanied by his guitar! The idea of comedy is rather weird!
Instead of a romantic comedy, the film comes out more as a story of two perpetual losers. The film can be called directionless. As for music, the film has a couple of decent tracks in Ishq ki khushfehmiyan… and Khuda na khasta. While the making is economical, the only positive aspect in the film is cinematography by Sameer Arya. Performances are generally ordinary.
One By Two is a lost cause.
Producers: Abhay Deol, Amit Kapoor, Sanjay Kapoor, Vikram Khakhar.
Director: Devika Bhagat.
Cast: Abhay Deol, Preeti Desai, Lillete Dubey, Rati Agnihotri, Jayant Kriplani, Darshan Jariwala, Anish Trivedi.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
