English Entertainment
NBC renews ‘Blindspot’ for second season
MUMBAI: NBC has ordered a second season of its hit freshman drama Blindspot, the #1 new series of the fall in the 18-49 demo.
With Sullivan Stapleton as an FBI agent who’s not to be messed with and breakout star Jaimie Alexander now firmly established as a TV leading lady, Blindspot has proven to be both a ratings and critical smash. Since its 21 September launch, the series has dominated the 10 pm Monday timeslot.
“We are over the moon with the success of Blindspot, and want to thank our producers and amazing cast for creating one of the most riveting shows on television. Jaimie and Sullivan have done an amazing job of ratcheting up the tension each week in trying to unravel the mystery of Jane’s tattoos. We literally can’t wait to see what the second season will bring,” said NBC Entertainment president Jennifer Salke.
Blindspot is averaging a 3.7 rating, 12 share in adults 18-49 and 12.7 million viewers overall so far this season, according to “most current” averages from Nielsen Media Research through the season’s opening six weeks, making it the #1 new series of the new fall season in 18-49.
The cast includes Sullivan Stapleton, Jaimie Alexander, Marianne Jean-Baptiste, Rob Brown, Audrey Esparza, Ukweli Roach and Ashley Johnson.
Writer Martin Gero serves as executive producer along with Greg Berlanti, Sarah Schechter, Mark Pellington and Marcos Siega. Pellington directed the pilot episode.
Blindspot is a production of Warner Bros. Television and Berlanti Productions.
English Entertainment
Ellison takes his Paramount-Warner Bros case straight to theater owners
The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting
CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.
The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.
“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”
It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.
Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.
He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.
“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”
Fine words. The regulators, however, will have the last one.
