Hollywood
Miley Cyrus’ home robbed again
MUMBAI: Miley Cyrus’ Los Angeles home was robbed on 16 December 2014. According to prosecutors, a large quantity of her and her brother’s property was stolen from the 22 year old American singer and actress’ Toluca Lake home.
The alleged thief, Rusty Edward Sellner was arrested on Monday for the offence and entered pleas for the same. However, he was pleaded not guilty when the case went to court on Wednesday.
The Los Angeles police department’s north Hollywood division is investigating the alleged burglary.
Sellner will face a preliminary hearing at the Los Angeles county superior court, van nuys branch on 20 January 2014. He could face up to seven years and eight months in state prison if convicted.
Sellner has previous convictions for burglary and evading arrest.
This is the second burglary for Cyrus in less than a year and a third time in two years that her home has been targeted by thieves.
In May, thieves broke into her San Fernando Valley home and took clothes, purses, jewelry and a 2014 Maserati that was later abandoned. An Arizona couple went to prison for that break-in.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
