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Madras HC stays Aarakshan release

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NEW MUMBAI: Even as the Madras High Court today directed an interim stay of Prakash Jha‘s Aarakshan for non-payment of dues, the film is to be screened before the National Commission for Scheduled Castes and Scheduled Tribes.


Commission Chairman P L Punia said this here today after meeting Central Board of Film Certification Chairperson Leela Samson.


In Chennai, the stay by Justice Periyakaruppiah was granted after a civil suit was filed by Madhu Gupta and CG Photo Ltd for recovery of Rs 37.5 million in unpaid dues.
 
The petitioners had accused the filmmaker of not paying their dues and sought a stay on the release of the movie slated to be released on 12 August. The producer has not paid the money despite promise and the cheques given by him were reportedly dishonoured.


The film stars megastar Amitabh Bachchan with Saif Ali Khan, Deepika Padukone, Manoj Bajpayee and Prateik Babbar.


In Delhi, Punia said the film would be screened for the Commission, based on the outcome of the case in the Bombay High Court tomorrow. The commission wants to examine whether the film violates the provisions of the SC/ST Prevention of Atrocities Act.


Samson said that the Board was discussing all the issues with the Commission, but refused to divulge more since the matter was sub judice.


“The Commission has every right to be concerned about a matter of importance in the country. It has never said it wanted to interfere,” Samson said, adding, “We do not have any issue in discussing issues with it.”


Samson added, “The director Jha is right in saying that he won‘t be able to screen the movie for all. He‘s shown it to the right people, that is the CBFC.”
The CBFC passed the film without cuts with a U/A certificate as it felt the film was thought provoking. The certificate was awarded after an examining committee, set up with representatives from the Dalit, OBC, SC and ST community, reviewed the movie.


Pro-reservationists are up in arms against the film, saying it is anti-Dalit. However, Jha has repeatedly said at press meets that the film is only dealing with the commercialisation of education by institutions taking advantage of reservation. He has not spoken against reservation, which he and Bachchan said is a fact of life since the Supreme Court had upheld it.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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