Hollywood
‘Lee Daniels’ The Butler’ hits $100 million
MUMBAI: The independent historical drama – headlining Forest Whitaker and Oprah Winfrey – took in $5.4 million in its fifth weekend for The Weinstein Co, pushing the movie’s North American total to a stellar $100 million.
Daniels becomes one of only a handful of black directors to have a film clear that mark, not accounting for inflation.
One reason for The Butler’s success is that it is playing to all audiences, according to Harvey Weinstein’s team. On opening weekend, 52 per cent of ticket buyers were black; now, 67 per cent of the audience is white. The Butler is also becoming a family play.
The Butler opened in mid-August, hoping to mirror the success of The Help, another civil-rights themed drama. The Butler isn’t likely to match The Help’s lifetime domestic gross of $169.7 million, but The Help was different in featuring both black and white lead actors.
In the film, Whitaker plays a White House butler who serves through eight presidential administrations, a character inspired by the real-life story of the late Eugene Allen.
Winfrey, who plays the butler’s wife, has provided an enormous marketing boost for the movie because of her avid fanbase. The Butler already is considered an awards contender, particularly for Whitaker and Winfrey’s performances.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
