International
Landau reveals Titanic 3D making
MUMBAI: A library of 3D titles will hold a greater value than one that is in 2D, according to Titanic and Avatar producer Jon Landau.
Talking at the National Association of Broadcasters (NAB) show, Landau said that 2D to 3D conversion isn‘t “a technical process, it‘s a creative process that uses technology.”
For Titanic, the conversion was a detailed process that took 14 months and cost $18 million. The Titanic producer said that getting it right means “finding a library title that justifies [3D conversion] and a filmmaker who can be involved. The creative team needs to be a part of the process.”
The project began with remastering the film in 4K (which was accomplished at Reliance MediaWorks) and then Stereo 3D took it into the 3D realm with a team of about 450 people.
Landau confirmed that director James Cameron‘s “imprint is on every shot.” “He used what he remembered from the set,” explained Landau, citing the dinner table scene as among the most challenging. “The detail was so complex, and Jim was able to look at a shot and recall that the table was ‘this big‘ and really place it and make it feel comfortable.”
“We used our learning experience from Avatar on this film,” Landau continued. “Action is not necessary where you want to emphasize the 3D. At the end day, movies are about the close up. People go back because of the narrative story.
“The subtleties in the performances — to me 3D is about enhancing those types of moments,” he added.
The idea to realize Titanic in 3D was not a recent one. Landau related that he and Cameron first started to think about it in around 2000. Then, in the following four years ago,both the director and producer gave one minute of Titanic to roughly 15 different companies as test material. “We felt the potential was there,” Landau averred.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
