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Iron Man 3 sets screen ablaze in overseas market

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MUMBAI: Marvel Studios and Disney‘s Iron Man 3 has set the cash registers ringing in the overseas, opening to $195.3 million from 42 markets to beat last year‘s worldwide blockbuster The Avengers, which debuted to $185.1 million globally, revealed The Hollywood Reporter.
 
Iron Man 3, which has been well received by critics so far, is playing in roughly 80 per cent of the foreign marketplace, excluding major markets Russia and China, where DMG Entertainment put up some of the financing.
 
The tentpole broke numerous records for 113 IMAX theaters, which took in $7.2 million for a per screen average of $64,000, coming in ahead of any Marvel title, including Avengers.
 
Box office observers agree that Iron Man 3 is playing more like a sequel to last summer‘s The Avengers — which featured a myriad of Marvel superheroes, including Robert Downey Jr.‘s Iron Man — than a follow-up to Iron Man 2, which posted a foreign opening of roughly $100 million in 2010.
 
Disney president of worldwide distribution Dave Hollis didn‘t want to guess as to whether Iron Man 3 could reach that number but said the film is clearly off to a stellar start. "To say we are beyond encouraged is an understatement," he stated.
 
Iron Man 3, another victory for Marvel Studios‘ president Kevin Feig, is breaking a slew of records overseas, scoring the biggest opening weekend ever Asia Pacific and Latin America, and in individual countries including Argentina, Hong Kong, Indonesia, Vietnam, Taiwan, Philippines, Malaysia and Singapore. It also scored the top Marvel opening in another raft of markets.
 
Teaming Downey with franchise newcomer, Director Shane Black, Iron Man 3 was released at the international box office ahead of its May 3 North American launch, as Iron Man 2 did in 2010. Gwyneth Paltrow and Don Cheadle also are returning cast members.
 
It saw its biggest gross in the U.K. ($21.5 million), followed by Korea ($19.2 million), Australia ($18.4 million), Mexico ($16.1 million), France ($14.7 million), Brazil ($12.3 million), Italy ($11.2 million), Taiwan ($8.4 million), Philippines ($7.4 million), Japan ($5.4 million), India ($5.2 million), Spain ($5 million), Hong Kong ($4.9 million), Malaysia ($4.6 million) and Indonesia ($4.5 million), among other markets.

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International

Russia-India cinematic spectacle Persimmon of My Love set for grand Moscow debut

Hindi cinema style musical revives Indo-Soviet cinema ties for today

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Russia-India cinematic

MUMBAI: A new chapter in cross-border storytelling is set to unfold as Persimmon of My Love gears up for its premiere in Moscow on 1 April 2026, marking the first large-scale cinematic collaboration between Russia and India in decades.

Positioned as a modern nod to the cultural exchange that once brought Indian classics to Soviet audiences, the film blends Hindi cinema flair with Russian storytelling, aiming to rekindle a long-standing cinematic friendship.

Directed by Marius Weisberg, the musical comedy follows two brothers navigating a lively world of music, family and romance. The lead roles are played by Demis Karibidis and Mikhail Galustyan, with Karibidis also contributing as a screenwriter.

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Shot entirely in India, the production leans heavily into Hindi cinema style spectacle. Filming took place across Mumbai studios and the cities of Udaipur and Jodhpur, whose architecture was used to create the fictional setting of Khurmada. A crew of over 350 worked on the project, with large-scale sequences featuring up to 1,000 extras.

The film also brings Indian creative talent into the mix. Dance sequences are choreographed by Jay Kumar, while music by Zurab Matua features songs in both Hindi and Russian, adding to its cross-cultural appeal.

Backed by TNT channel, MyWayStudio and the Russian Cinema Fund, the project reflects a broader push to strengthen cultural ties between the two countries.

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With its mix of colour, comedy and cross-border collaboration, Persimmon of My Love is not just a film release but a reminder that cinema, much like music, travels well across borders.

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