iWorld
Indian shoppers predicted to boost their spending by 14 per cent over the previous year this festive season: Disney+ Hotstar survey
Mumbai: As cricket fever grips the nation with only days to go to the Asia Cup followed by the ICC Men’s Cricket World Cup 2023, the second edition of Disney+ Hotstar’s Festive Shopping Sentiment Survey has found that shoppers this festive season are likely to increase their spending by 14 per cent over last year, driven by a 12 per cent increase in the size of their shopping baskets.
Coinciding with India’s biggest festive season, both Asia Cup and The ICC Men’s Cricket World Cup 2023 will provide marketers with the best opportunity to leverage the cricketing properties and influence the positive spending sentiment observed in the second edition of Disney+ Hotstar’s Festive Shopping Sentiment survey. Additionally, the platform has lifted its paywall for mobile and tablet only viewers for both the tournaments, thus democratizing the game for more than 540 million [Source – FICCI E&Y report] smartphone users across the country.
The free streaming of the two widely watched sporting events will enable a lucrative avenue for marketers to make a mark in consumers’ minds before the festive season. As per the Festive Shopping Sentiment survey, nine in ten consumers expressed a healthy appetite to spend for the upcoming season. With an average budget of Rs 17K, shoppers are predicted to boost their spending by 14 per cent compared to the previous year. This will be fueled by a 12 per cent rise in shopping basket size, with the most popular categories being clothes, mobile phones, and health and beauty. Festive bonanzas, such as brand and cashback incentives, discounts, and other promotions, can influence customer mindsets even more.
The survey also found that consumer spending is expected to be heavily influenced by online ads. It is prone to sway towards online shopping, with 60 per cent of consumers discovering brands and services through online platforms as they shop for themselves and for gifting purposes. Accompanying the online shopping sentiments of seven out of ten shoppers, digital payment options too recorded a 36 per cent preference, with UPI in the lead.
Disney Star head of network – Ad sales Ajit Varghese said, “With the upcoming Asia Cup 2023 and ICC Men’s Cricket World Cup 2023 being free-to-view to all mobile phone users, Disney+ Hotstar is poised to become the prime digital platform for marketers. This especially holds true for the Cricket World Cup, which returns home after a hiatus of 12 years, right before the peak festive season kicks in. Safe to say that all eyes are going to be on the action on the ground, making it a once-in-a-decade opportunity for brands looking to make the most out of the festive fervor amongst consumers.”
Disney+ Hotstar is set to revolutionise Live Cricket advertising during the upcoming Asia Cup and ICC Men’s Cricket World Cup 2023 with the launch of its self-serve platform. The platform is also offering over 75 targeting parameters (previously 35) that can be cross-tabbed to combine multiple parameters for granular reach and caters to all ticket sizes (from Rs two lacs to upto 50 lacs). Additionally, special rates have been introduced that are at par with leading UGC platforms. Starting at just Rs 49 (CPM) for non-India matches, and a special package for India-only matches at Rs 199 (CPM).
iWorld
Warner Chappell Music launches India ops, Jay Mehta to lead unit
WMG shifts to direct model, unifying publishing and recorded music
MUMBAI: Warner Chappell Music has officially launched direct operations in India, marking a strategic shift by parent Warner Music Group to deepen its presence in one of the world’s fastest-growing music markets.
The move replaces the company’s earlier sub-publishing model with a full-fledged, on-ground operation, aimed at giving Indian songwriters stronger access to global networks, rights management tools, and creative infrastructure.
To lead the push, Jay Mehta has been handed an expanded mandate. Already serving as managing director of Warner Music India, Mehta will now oversee both recorded music and publishing across India and neighbouring South Asian markets, effectively bringing the two sides of the business under one roof.
The unified structure is designed to streamline how artists and songwriters work with the company, offering a more integrated ecosystem that spans compositions, recordings, and global distribution.
Warner Music Group managing director, recorded music and publishing, India and SAARC Jay Mehta said, “India’s songwriters are world-class, constantly redefining genres and pushing creative boundaries. By establishing a direct footprint for Warner Chappell, we’re bridging the gap between local brilliance and global opportunity.”
The timing is no coincidence. According to CISAC, creator collections in India jumped 42 per cent year-on-year to Rs 7 billion in 2024, while IFPI ranks India as the 15th largest recorded music market globally. At the same time, the industry is undergoing a structural shift, with independent and non-film music gaining ground over traditional Bollywood soundtracks.
Warner’s bet is that a direct presence will help it capture this changing dynamic. The company is also offering India-based creators access to its proprietary tools, including AI-powered royalty matching systems and real-time analytics platforms, aimed at improving transparency and earnings visibility.
Warner Chappell Music co-chair and CEO Guy Moot said the move is about shaping a publishing ecosystem that “works for creators and ensures their music is heard, protected, and rewarded everywhere.”
Meanwhile, Warner Music Group CEO Robert Kyncl underlined India’s importance to the company’s global strategy, noting that the new structure creates a “unified powerhouse” for both creators and audiences.
With local studios, global reach, and tighter integration across its business lines, Warner is clearly doubling down on India. And as streaming habits evolve and independent music rises, the company is positioning itself to be not just a participant, but a key architect of the country’s next music chapter.








