Hindi
Hindi films dominate the 61st National Film Awards
NEW DELHI: The highly acclaimed film ‘Ship of Theseus’ in Hindi and English which has already won several awards overseas was declared the best film of 2013 in the 61st National Film Awards, while Hansal Mehta bagged the award for best director for his Hindi film ‘Shahid’.
The best actor award was shared by Raj Kumar of ‘Shahid’ and Suraj Venjaramoodu for the Malayalam film ‘Perariyathavar’ by Dr Biju which also bagged the award for the best film on environment/conservation.
The best actress award went to Geetanjali Thapa for her role in the Hindi film ‘Liar’s Dice’, while the supporting actor went to Saurabh Shukla for ‘Jolly LLB’ in Hindi. The supporting actress award was shared by Amruta Subhash in the Marathi film ‘Astu’ and Aida El-Kashief in ‘The Ship of Theseus’. The best children’s film was ‘Kaphal’ by Bahul Mukhtiar in Hindi while the best child artiste award was shared by Somnath Avghade of ‘Fandry’ in Marathi and Sadhana of the Tamil ‘Thanga Mangal’.
Hindi films once again dominated the National Film Awards by getting as many as fifteen awards among feature films. Marathi came next with ten awards followed by Bengali with six and Tamil and Kannada with five each and Malayalam with four.
However, the highest number of awards went to the Bengali film ‘Jaatishwar’ which won awards for best female playback for Rupankar and the film ‘e tumi kemon tumi’, best costume for Sabarni Das, best make-up for Vilram Gaikwad (for hero Prosenjit) and Kabir Suman for best musical score.
‘Bhag Milkha Bhag’ by Rakeysh Omprakash Mehra bagged the award for the most popular film providing wholesome entertainment. ‘Fandry’ got the Indira Gandhi Award for best directorial debut by Nagraj Manjule, the Nargis Dutt award for national integration for Balu Mahendra’s tamil film ‘Thalaimuraigal’ and the social issues award went to the Marathi ‘Tuhya Dharma Koncha’ by Satish Manwar.
All the films will get awards ranging between Rajat Kamal and Swarna Kamal and Rs 50,000 to Rs 2.5 lakh.
The best non-feature film is ‘Rangabhoomi’ in Hindi by Kamal Swaroop for Films Division and best debut director for shorts is Christo Tomy of SRFTII for the Malayalam ‘Kanyaka’, with Pranjal Dua getting the best direction award for ‘Chidhiya Udh’ without dialogues.
The Telugu ‘Cinema Ga Cinema’ by Nandagopal got the best book on cinema award while English critic Alaka Sahani got the best critic award.
The feature jury was headed by Saeed Akhtar Mirza, the non-feature by Reena Mohan and the book jury by Sharad Dutt.
The Dadasaheb Phalke Award and the National Film Awards are expected to be given on 3 May to coincide with the release of Phalke’s ‘Raja Harishchandra’ on that day in 1913.
Please click for the detailed list of awards
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
