GECs
Guild critical of autocratic behaviour towards ‘Parzania’
NEW DELHI: The Film and Television Producers Guild of India and many of its members have expressed regret over recent attempts to intervene in screening of films by certain multiplexes of Gujarat.
In a release, the Guild said: “Given our rich and diverse tradition it is disturbing to see such a repressive attitude towards the recently released film ‘Parzania’ by these authoritarian individuals.”
The release added: “Surely the release of a film cannot be tantamount to the whims and fancies of certain exhibitors. Hence the Guild considers it as a sacrilege towards the fundamental rights of citizens and also considers this as a hindrance on their creativity.”
The Guild is “positive that artistic independence of our talented filmmakers will not be curbed nor will free and fair broadcast be stopped through undemocratic means. The Guild assures the filmmakers that their interests will always be safeguarded.”
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
