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‘Gone Girl’ trailer finally released

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MUMBAI: First shown at CinemaCon, the teaser trailer of David Fincher’s next film Gone Girl starring Ben Affleck and Neil Patrick Harris has finally been released online for the mass public.

 

Having spent eight weeks on The New York Times bestsellers list at #1, Gone Girl – the principal suspense comes from an uncertainty about the main character, Nick Dunne, and whether he killed his wife, Amy Dunne when the latter goes missing on the couple’s fifth wedding anniversary.

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The book has a 3.93 rating based on 441, 306 ratings on Goodreads. The book is a “pathological, twisted freak-show of a relationship so demented that it leaves wanting for more”!

 

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Hairspray screenwriter Leslie Dixon read the manuscript of the novel in 2011 and brought it to the attention of Reese Witherspoon (Walk the Line, Legally Blonde) in December of that year. Soon after, Academy Award winning actress Reese Witherspoon swopped in and bought the rights to the film adaptation of the blockbuster hit. According to The Hollywood Reporter, Witherspoon was drawn to the script because of its strong female character and its use of multiple perspectives and non-linear structure.

 

In January of 2013, it was announced that Witherspoon will only be producing, and will not be starring in the film. By May, Golden Globe Award winning director David Fincher (The Social Network, The Girl with The Dragon Tattoo) was attached to the project with another Academy Award winner Ben Affleck (Argo) soon joining the project as the lead, Nick Dunne along with Rosamund Pike (Pride & Prejudice, Die Another Day) as his missing wife, Amy.

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In several interviews, Flynn has said she was interested in exploring the psychology and dynamics of a long-term relationship. In an interview with Entertainment Weekly, where Flynn worked as a television critic before bursting out as an author, she hinted that the film will have a different design than her twisty novel.

 

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Throughout the trailer, you might hear quite a few dialogues exchanged for more than a few seconds over Charles Aznavour serenading his classic English love song, “She”, but the haunting cover played in the background is by Richard Butler from The Psychedelic Furs.

 

From the trailer, it becomes quickly evident the film will resonate the dark and haunting tone that is seen in most of Fincher’s films.

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Hollywood

Paramount seeks FCC nod for foreign-backed $110 billion WBD deal

Gulf funds back merger as foreign stake nears 50 per cent, control stays with Ellison

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NEW YORK: Paramount Global has approached the Federal Communications Commission seeking approval for foreign investments tied to its proposed $110 billion acquisition of Warner Bros. Discovery, marking another key step in one of the biggest media deals in recent years.

According to regulatory filings made public this week, the investment backing the deal includes major Gulf sovereign funds such as the Public Investment Fund, the Qatar Investment Authority and L’imad Holding Company. Together, foreign investors are expected to hold just under 50 per cent of Paramount’s equity once the transaction is complete.

Despite the sizeable international backing, Paramount has made it clear that voting control will remain with the family of chief executive David Ellison, ensuring the company stays firmly under US control as required by broadcasting rules.

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A company spokesperson described the FCC filing as routine for transactions involving foreign capital and stressed that it does not impact the closing of the deal. Under US law, any significant foreign ownership in broadcast licence holders must undergo regulatory review.

The merger itself has already cleared a major hurdle, with Warner Bros. Discovery shareholders approving the deal on 23 April. The transaction values the company at $31 per share, a 147 per cent premium to its earlier trading price, reflecting strong strategic intent behind the tie-up.

If completed, the combined entity will bring together a vast portfolio including Warner Bros. film studios, HBO Max, and networks such as CNN, TNT and Discovery Channel. The deal is currently expected to close in the third quarter of 2026.

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However, scrutiny is intensifying. The US Department of Justice has issued subpoenas seeking details on the merger’s potential impact on cinema competition, streaming services and content licensing. Reviews are also anticipated in international markets, including the United Kingdom.

There is also a financial safety net built into the agreement. If regulators ultimately block the deal, Paramount would face a $7 billion break-up fee. Additionally, the company has taken on $2.8 billion in obligations previously owed by Warner Bros. Discovery to Netflix following an earlier terminated arrangement.

Paramount maintains that easing foreign ownership barriers will unlock fresh capital and strengthen its ability to compete in a rapidly evolving media landscape. For now, the spotlight remains on regulators, whose decision will determine whether this global media consolidation moves from script to screen.

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