Hollywood
Gerard Butler may star in ‘Point Break’ remake
MUMBAI: Gerard Butler is in negotiations to star in a remake of the Keanu Reeves and Patrick Swayze action thriller, Point Break directed by Kathryn Bigelow. Released in 1991, the film got a worldwide cult following in DVD and Blu-Ray releases.
According to The Hollywood Reporter (THR), the movie is looking at a summer shoot with Ericson Core, the cinematographer behind 2001’s The Fast & the Furious and Daredevil as the director. For the remake, Kurt Wimmer (Salt, Total Recall) wrote the screenplay which revolves around the international world of extreme sports. The original film had the Southern California surf scene as the main theme. However, the storyline about an FBI agent infiltrating a crime ring as well as the names of the principle characters remains the same.
If the film is finalised, Butler will play Bodhi, an expert extreme-sports athlete who seeks nirvana through the conquest of a series of athletic feats such as surfing 100-foot waves, reports THR.
However, for the time being the actor will next be seen in Liongate’s epic fantasy Gods of Egypt, which starts shooting in March. Later in the year, he will be seen in London Is Falling, the sequel to his action hit Olympus Has Fallen.
Hollywood
Who is Geeta Gandbhir? The director behind two separate Oscar-nominated films in one historic year
The Emmy-winning filmmaker makes history with dual documentary nominations at this year’s Oscars.
LOS ANGELES: If Hollywood loves a breakout moment, this year it belongs to Geeta Gandbhir. Long respected within documentary circles, Gandbhir has suddenly become a mainstream name after scoring two Oscar nominations in the same season, one for a feature and one for a short. It is a rare feat. It is historic. And it has prompted one big question: who exactly is the filmmaker behind this double triumph?
Before stepping into the director’s chair, Gandbhir built her reputation as a razor-sharp editor. That technical grounding shaped her storytelling style, which is precise, unsentimental and emotionally direct. Her early career included working alongside Spike Lee, an apprenticeship that sharpened both her political lens and cinematic instincts.
Over the years, she accumulated multiple Emmy Awards and a Peabody, quietly becoming one of the most respected nonfiction voices in American television.
Her feature-length nominee, The Perfect Neighbor, released on Netflix, investigates the fatal shooting of Ajike Owens through stark police body-cam footage. The film strips away dramatic embellishment and instead relies on unfiltered visual evidence to confront viewers with uncomfortable truths.
At the same time, her short film The Devil Is Busy, streaming on HBO Max, offers an intimate, ground-level look inside an abortion clinic in Atlanta. Co-directed with Christalyn Hampton, it trades scale for immediacy and delivers impact in under an hour.
The contrast between the two projects, one investigative and expansive, the other intimate and observational, highlights Gandbhir’s range. Yet both share a common thread, which is a focus on lived reality rather than spectacle.
Documentary filmmaking is often seen as awards adjacent and respected but rarely spotlighted. Gandbhir’s dual nomination changes that narrative. It positions her not just as a contender, but as a defining nonfiction voice of her generation.
Whether she takes home one statuette or two, the achievement itself has already reshaped the Oscar conversation and cemented her place in film history.
