English Entertainment
Fox Reality acquires shows from outside the US
CANNES: Fox Reality channel has announced a slate of new acquisitions at MipTV, taking on programs from the BBC, Endemol, Sony Pictures Television International and Eyeworks Distribution.
Fox Reality CEO and GM David Lyle said, “We like to be innovative and introduce some classics and some of the most irreverent and entertaining reality shows from outside the U.S. to domestic audiences for whom these shows are new experiences.”
From the BBC, the channel has secured five seasons of Castaway, seasons one and two of Driving School and three episodes of The Bronx Crime & Justice. Driving School follows a number of would-be drivers as they prepare to take their driving tests. In Castaway, a number of Britons are stranded on the remote Scottish Island of Taransay in the Hebrides. The Bronx Crime & Justice offers a look into the New York legal system.
Through Endemol, Fox Reality has secured the rights to the controversial dating show There’s Something About Miriam, and with SPTI, it has taken the broadcast rights to the British (three seasons) and Australian (one season) of Dragon’s Den.
And from Eyeworks, the channel acquired the ten-episode adventure reality Going Straight.
English Entertainment
Ellison takes his Paramount-Warner Bros case straight to theater owners
The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting
CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.
The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.
“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”
It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.
Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.
He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.
“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”
Fine words. The regulators, however, will have the last one.
