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First film to be shot in 6K and re-framed in 5K

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NEW DELHI: David Fincher’s Gone Girl is the first feature film anywhere in the world to be shot entirely in 6K (with the Red Dragon) and the first studio feature film to be entirely edited on Adobe Premiere Pro CC.  

 

Though the film was shot in 6K, it was re-framed for 5K. “Shooting in 6K, we had a large amount of Red media content to be converted and reviewed,” post engineer Jeff Brue said in a NVIDIA case study. “This, combined with a need for an ability during editorial for every shot to be reframed, posed a unique challenge.”    

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Starring Ben Affleck, Rosamund Pike and Neil Patrick Harris, the film is based on a novel by Gilian Flynn who has himself written the screenplay. With his wife’s disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it’s suspected that he may not be innocent. 

 

It was also the first to use NVIDIA’s new Quadro K5200 GPU—which has double the memory and 30 per cent faster performance than its predecessor—in its workflow, according to the National Association of Broadcasters (US).    

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The NVIDIA GPU technology was used to convert the footage to DPX at “blazingly fast” speeds, according to Brue.  “The NVIDIA Quadro 5200 was extremely performant in the production by allowing the playback and real time downscaling of 6K to 4K—something that was crucial to ensuring the best post production experience,” Brue added.  

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Hollywood

Disney chair confident CEO Josh D’Amaro will ‘rise to the occasion’ in Trump–Kimmel row

Board backs new chief as ABC controversy tests leadership early on

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NEW YORK: The Walt Disney Company has placed the responsibility of handling the escalating dispute between Donald Trump and late-night host Jimmy Kimmel squarely on its new chief executive, Josh D’Amaro.

Speaking at a business conference in Oslo, Disney chair James Gorman said it would be up to the CEO and his team to determine the company’s response to the controversy surrounding Jimmy Kimmel Live!. He noted that such challenges are not uncommon for large corporations and require careful handling at the leadership level.

The row intensified after both Donald Trump and Melania Trump publicly called for Kimmel’s dismissal following remarks made on his show. The comments, which referenced the First Lady, sparked backlash in the days leading up to a security incident at the White House Correspondents’ Dinner.

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Kimmel addressed the issue on-air, clarifying that his joke was intended as a reference to the couple’s age difference and not an incitement to violence. He also expressed sympathy for those affected by the incident and reiterated his stance against violent rhetoric.

Despite mounting pressure, Gorman refrained from offering specific guidance on the future of the show or the host. Instead, he voiced confidence in D’Amaro’s leadership, describing him as “world class” and capable of navigating the situation effectively.

The episode presents an early and high-profile test for D’Amaro, who stepped into the top role just last month. How Disney balances editorial independence, public sentiment and political pressure will likely shape not just the outcome of this controversy, but also the tone of its leadership in the months ahead.

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