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FCC chief Tom Wheeler to address NAB Show in Las Vegas

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NEW DELHI: Federal Communications Commission (FCC) chairman Tom Wheeler is expected to provide insights into the FCC’s policy and regulatory objectives related to broadcasting, technology and communications law generally at the 2015 Show of the National Association of Broadcasters (NAB) in Las Vegas.

 

The address will be held on 15 April.

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“This is a great opportunity for NAB Show attendees to hear first-hand from the FCC Chairman on the FCC’s progress on the TV spectrum incentive auction and a host of other items currently under consideration at the Commission,” said NAB President and CEO Gordon Smith.

 

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Wheeler became the 31st chairman of the Federal Communications Commission on 4 November, 2013. He was appointed by President Barack Obama and unanimously confirmed by the United States Senate.

 

For over three decades, Wheeler has been involved with new telecommunications networks and services, experiencing the revolution in telecommunications as a policy expert, an advocate, and a businessman. As an entrepreneur, he started or helped start multiple companies offering innovative cable, wireless and video communications services. He is the only person to be selected to both the Cable Television Hall of Fame and The Wireless Hall of Fame, a fact that caused President Obama to nickname Wheeler “The Bo Jackson of Telecom.”

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Prior to joining the FCC, Wheeler was managing director at Core Capital Partners, a venture capital firm investing in early stage Internet Protocol (IP)-based companies. He served as president and CEO of Shiloh Group, LLC, and co-founded SmartBrief, the internet’s largest electronic information service for vertical markets.

 

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From 1976 to 1984, Wheeler was associated with the National Cable Television Association (NCTA), where he was president and CEO from 1979 to 1984. Following NCTA, Wheeler was CEO of several high tech companies, including the first company to offer high speed delivery of data to home computers and the first digital video satellite service. From 1992 to 2004, Wheeler served as president and CEO of the Cellular Telecommunications & Internet Association (CTIA).

 

Wheeler is a graduate of The Ohio State University and the recipient of its Alumni Medal.

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I&B Ministry

Prasar Bharati opens AIR to private content under new policy

NIPP introduces revenue share, sponsored and gratis models

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MUMBAI: Radio may be the oldest voice in the room, but it’s learning some very modern tricks. In a bid to stay tuned to changing listener habits, Prasar Bharati has opened the doors of All India Radio to private players under a newly rolled-out content framework. The initiative, titled Notice Inviting Programme Proposals (NIPP), marks a significant shift in how the public broadcaster approaches programming moving from a largely in-house model to a more collaborative, market-aligned ecosystem. Issued by Akashvani’s Directorate General in April 2026, the policy invites private producers, content owners and aggregators to pitch programmes across formats, from radio dramas and documentaries to quiz shows, storytelling and music-led content.

At the heart of the framework lies a three-pronged participation model designed to balance creative freedom with commercial viability. The most prominent route is revenue sharing, where advertising and sponsorship income generated by a programme is split between the producer and the broadcaster. The structure tilts in favour of creators offering a 70:30 split when producers bring in advertising, and 65:35 when monetisation is handled by Prasar Bharati.

Alongside this sits the sponsored model, where producers fully fund and monetise their content, subject to compliance with advertising norms and the AIR Broadcast Code. For those less commercially inclined, a gratis route allows content to be submitted free of cost, with Prasar Bharati retaining all monetisation rights effectively turning the platform into a national distribution channel for diverse voices.

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The move comes as legacy media grapples with intensifying competition from private FM networks, streaming platforms and digital audio ecosystems. By repositioning AIR as both a public service broadcaster and a content marketplace, Prasar Bharati appears to be recalibrating its role in a rapidly evolving media landscape.

Importantly, the framework does not dilute editorial control. All submissions must adhere to the AIR Broadcast Code, and proposals are evaluated through a layered process that weighs storytelling quality, production capability, audience appeal and revenue potential. Only proposals crossing a defined threshold move forward, signalling that while access has widened, the bar remains firmly in place.

Operational discipline is another cornerstone of the policy. Producers are required to maintain broadcast-ready content, deliver episode banks in advance and navigate a structured approval process. Crucially, all production costs are borne by the content provider, reinforcing Prasar Bharati’s positioning as a distribution and oversight platform rather than a commissioning entity.

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What elevates the initiative further is its scale. The framework spans multiple clusters and stations across India, covering both metro and regional markets, with specific language mandates and submission channels. This not only expands the content pipeline but also deepens linguistic and cultural representation, an area where AIR has historically held an advantage.

In effect, NIPP signals a quiet but meaningful transformation. AIR is no longer just broadcasting to the nation, it is inviting the nation to broadcast with it, blending legacy reach with contemporary content economics in a bid to stay relevant in an increasingly fragmented audio universe.

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