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Eros Now aims to accelerate subs addition within millennial, post-millennial audiences

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BENGALURU: The Sunil Lulla-led Eros International Media Ltd (Eros) reported higher revenues on more film releases and a slight decline in profit after tax for the quarter ended 31 December 2018 (Q3 2019, quarter or period under review) as compared to the corresponding year ago quarter (Q3 2018). 

Eros released 25 films and 3 Eros Now original series in Q3 2019 as compared to just four films in Q3 2018. Twenty three of the releases in Q3 2019 were small budget, while two were medium budget films as compared to four small budget films in Q3 2018. Further, in Q3 2019, six of the releases were Hindi, two were Tamil/Telugu and the rest (17) were regional films. In Q3 2018, Eros released three Hindi movies and one regional movie.

Eros’s revenue streams have undergone a marked shift in contributions to overall revenue over time. The percentage of theatrical revenues has come down, while television plus others and overseas has gone up.  For fiscal 2018 (year ended 31 March 2018, FY 2018), Eros had reported 42.8 percent of revenue from theatrical releases, 46.3 percent revenue share from television and others which included revenue from digital platforms and 10.9 percent from overseas.  For Q3 2019, the company has reported 24.6 percent, 52.4 percent and 23 percent contributions from theatrical releases, television and others, and overseas respectively.

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Eros has projected rapid growth in paid subscribers for its digital platform ErosNow at the end of fiscal 2019 (year ending 31 March 2019) at 16 plus million as compared to 13 million at the end of Q2 2019. The company is banking on its long standing and exclusive partnerships with major Indian telecom and mobile data players – Jio, Airtel and the merged Vodafone-Idea to add more paid subscribers to ErosNow.

Company speak

Eros executive vice chairman and MD Lulla said, “We are pleased to announce strong results during the quarter, delivering 62.1 percent total income growth and consistent profits. Our focused approach of choosing a balanced slate spanning genres, languages and budgets, continues to deliver positive results. During the quarter, we released a total of 25 films and three digital series, comprising of an interesting mix of genres ranging from comedy to horror and crime thriller, which received encouraging responses. The theatrical slate included the critically acclaimed Tumbbad, Boyz 2 (Marathi), Mumbai Pune Mumbai 3 (Marathi) and our twin Telugu releases Amar Akbar Anthony and Savyasachi amongst others. A strong slate of overseas releases of Andhadhun (Hindi), Helicopter Eela (Hindi) and Namaste England (Hindi) further supported performance during the quarter.

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"In this quarter, we released three original web series – the crime thriller Smoke, the entertaining and quirky Date Gone Wrong and the fun-series Paisa Fek Tamasha Dekh on ErosNow, which received positive audience ratings and were equally applauded by the critics. We are committed to bring fresh and engaging digital content targeted primarily to the millennial audiences on the ErosNow platform, and have an exciting pipeline of original content lined up for the upcoming quarters. We are confident with our exciting content offering the pace of subscriber addition for ErosNow will further aaccelerate

"As we look ahead, we have a compelling film slate which includes Saif Ali Khan starrer Kaptan, the trilingual remake of Haathi mere Saath, Kaamiyab, Ticket to Bollywood, and a host of regional releases. In addition, we have a host of remarkable originals such as Dashavtar, Ponnyin Selvan, Flesh, Bhumi coming up on ErosNow, that we look forward to releasing in the upcoming quarters.”

Let us look at the numbers reported by Eros

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Eros reported a 52.9 percent jump in operating revenue for the quarter ended 31 December 2018 (Q3 2019, period or quarter under review) at Rs 292.88 crore as compared to Rs 193.51 crore in the corresponding year ago quarter (y-o-y comparison). Profit after tax (PAT) and total comprehensive income (TCI) for the period under review fell 7.4 percent and 58.9 percent (more than respectively) respectively y-o-y. Total income increased 62.2 percent y-o-y in Q3 2019 to Rs 332.28 crore as compared to Rs 201.97 crore in Q3 2018. PAT in Q3 2019 was Rs 62.19 crore as compared to Rs 67.16 crore in Q3 2018. TCI in Q3 2019 was Rs 23.06 crore as compared to Rs 56.16 crore in Q3 2018.

Eros reported 107.9 percent y-o-y increase in total expenditure in Q3 2019 at Rs 255.42 crore from Rs 122.86 crore in Q3 2018. Films rights costs including amortisation costs increased 101.3 percent y-o-y to Rs 145.51 crore from Rs 72.30 crore in the corresponding quarter of the previous fiscal. Employee benefits expense in Q3 2019 declined 11.2 percent y-o-y to Rs 12.56 crore from Rs 14.14 crore in Q3 2018.

Finance costs reduced 13 percent y-o-y in Q3 2019 to Rs 15.95 crore from Rs 18.33 crore in the previous year’s corresponding quarter. Other expenses in the quarter under review more that quintupled (increased by 402.2 percent) y-o-y in Q3 2019 to Rs 77.54 crore from Rs 15.44 crore in Q3 2018.

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iWorld

Meta plans 8,000 layoffs in new AI-led restructuring wave

First phase from May 20 may cut 10 per cent workforce amid AI pivot.

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MUMBAI: At Meta, the future may be artificial but the cuts are very real. The social media giant is reportedly preparing a fresh round of layoffs, with an initial wave expected to impact around 8,000 employees as it doubles down on its artificial intelligence ambitions. According to a Reuters report, the first phase of job cuts is slated to begin on May 20, targeting roughly 10 per cent of Meta’s global workforce. With nearly 79,000 employees on its rolls as of December 31, the move marks one of the company’s most significant workforce reductions in recent years.

And this may only be the beginning. Sources indicate that additional layoffs are being planned for the second half of the year, although the scale and timing remain fluid, likely to be shaped by how Meta’s AI capabilities evolve in the coming months. Earlier reports had suggested that total cuts in 2026 could reach 20 per cent or more of its workforce.

The restructuring comes as chief executive Mark Zuckerberg continues to steer the company towards an AI-first operating model, committing hundreds of billions of dollars to the transition. Internally, this shift is already visible: teams within Reality Labs have been reorganised, engineers have been moved into a newly formed Applied AI unit, and a Meta Small Business division has been created to align with broader structural changes.

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The trend is hardly isolated. Across the tech sector, companies are trimming headcount while investing aggressively in automation. Amazon, for instance, has reportedly cut around 30,000 corporate roles nearly 10 per cent of its white-collar workforce citing efficiency gains driven by AI. Data from Layoffs.fyi shows over 73,000 tech employees have already lost jobs this year, compared with 153,000 in all of 2024.

For Meta, the move echoes its earlier “year of efficiency” in 2022–23, when about 21,000 roles were eliminated amid slowing growth and market pressures. This time, however, the backdrop is different. The company is financially stronger, generating over $200 billion in revenue and $60 billion in profit last year, with shares up 3.68 per cent year-to-date though still below last summer’s peak.

That contrast underlines the shift underway. These layoffs are less about survival and more about reinvention. As Meta restructures itself around AI from autonomous coding agents to advanced machine learning systems, the question is no longer whether the company will change, but how many roles will be left unchanged when it does.

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