Hindi
Environment & Wildlife film festival in Delhi to screen 74 films
NEW DELHI: A total of 74 thematic films from 16 states and 11 countries will be screened at the oldest and largest Environment and Wildlife film festival in India, CMS Vatavaran, next month.
The Festival on the theme of ‘Water for Life’ will be celebrating its 8th competitive edition and will be held from 9 to 13 October at the NDMC Convention Centre in New Delhi.
CMS Vatavaran 2015 will be an amalgamation of celebration and discourse with film screenings, forums on critical water issues, panorama of international film festivals, workshops on filmmaking, exhibitions, green haat and much more.
The theme is ‘Water for Life’ with a special focus on “Conserving our Water Bodies”. It seeks to mark the interconnectedness of water and life and raise concern over the rapidly deteriorating condition of our water bodies.
Some Bollywood films will be screened, incliuding Kaun Kitne Paani Mein by Nila Madhab Panda; and Aisa Yeh Jahaan by Biswajeet Bora.
Media and filmmaking workshops will also be held.
Guests expected at the closing are Environment Minister Prakash Javadekar, Railway Minister Suresh Prabhu, and Delhi Chief Minister Arvind Kejriwal.
There will be a talk on River Rejuvenation by Water Resources Minister Uma Bharati.
A Green Haat has been set up by the Environment Ministry with UNDP and exhibitions are by New Delhi Nature Society, and Anthony Acciavatti.
The fact that India has just four per cent of the world’s fresh water but 16 per cent of the global population is reason enough to begin a serious discussion on proper and effective watermanagement and conservation. CMS Vatavaran with its theme ‘Water for Life’ aims to do just that.
Several interesting endeavors on the theme ‘Water for Life’ apart from film screenings like seminars, workshops, exhibition, cultural performances and award ceremony focusing on the environmental, social and economic aspects of water conservation will be part of the film festival and forum.
Contemporary issues related to water and conservation will be deliberated upon by eminent conservationists, policy makers, environment journalists and the concerned communities in the forum.
‘Water for Life’ being a cross cutting theme necessitates a multi-sectoral and multi-stakeholder participation in discussions to address the issues in a holistic manner.
The American Centre is the Country Partner of the 8th CMS Vatavatan. A special curtain raiser programme will also be organised on the evening of 8 October in the presence of American filmmakers, guests and delegates. Seminars, workshops, book launches and talks will be organised in partnership with The Asia Foundation, GIZ, Arghyam, CSE, CEE, RSTV and WWF to name a few.
“CMS Vatavaran is doing a magnificent job, making people aware by arranging these festivals and taking them to different cities and involving more and more from the younger generation. CMS Vatavaran is a great platform to inform people about issues like wildlife conservation, sustainable technology and climate change,” said veteran filmmaker and actor Amol Palekar, who is head of the award jury.
“In the 8th competitive festival, we are focusing on water and problems in water management systems around the world to show the disturbing effects these choices have on human beings. The theme has been chosen keeping in mind the fact that the way water scarcity issues are addressed, impacts upon the successful achievement of most of the development goals,” added CMS director general P N Vasanti.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
