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Emmy Awards: ‘Game of Thrones’ sets record, HBO bags 43 awards

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MUMBAI: HBO’s hugely popular show Game of Thrones has set a record of sorts by becoming a series winning most awards in a single year. The show totted a record 12 awards from its 24 nominations. 

 

With a whopping 43 statuettes, HBO took home the most number of awards beating the second in line NBC, which took home 12 awards, by a huge margin. Comedy Central and FX Networks tied at the third spot with a total of eight wins.

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This is for the first time in Game of Thrones’ six season history that it took home the best drama series award at the 67th Emmy Awards, which were held Los Angeles. Additionally, the show also won the Emmys for best directing and best writing. Actor Peter Dinklage, who essays the role of Tyrion Lannister in the series, won for best supporting actor in a drama.

 

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On the other hand, the award for lead actor in a drama series went to Jon Hamm for his role as Don Draper in Mad Men. Viola Davis took home the Emmy for lead actress in a drama series for How To Get Away With Murder.

 

HBO also bagged the Emmy for best comedy series for Veep as well as best mini-series for Olive Kitteridge, which is based on the Pulitzer prize winning short stories by Elizabeth Strout. The mini-series won in almost every category for which it was nominated and took home six Emmys at the end of the night.

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The complete list of winners is as follows:

 

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OUTSTANDING WRITING FOR A COMEDY SERIES — HBO

SIMON BLACKWELL (Teleplay and Story)

ARMANDO IANNUCCI (Story)

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TONY ROCHE (Teleplay and Story)

Veep

Election Night

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OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES — HBO

TONY HALE as Gary Walsh

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Veep

 

OUTSTANDING DIRECTING FOR A COMEDY SERIES — AMAZON INSTANT VIDEO

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JILL SOLOWAY (Directed)

Transparent

Best New Girl

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OUTSTANDING LEAD ACTOR IN A COMEDY SERIES — AMAZON INSTANT VIDEO

JEFFREY TAMBOR as Maura Pfefferman

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Transparent

 

OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES — HBO

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JULIA LOUIS-DREYFUS as President Selina Meyer

Veep

 

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OUTSTANDING REALITY-COMPETITION PROGRAM — NBC

The Voice

 

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OUTSTANDING WRITING FOR A LIMITED SERIES, MOVIE OR A DRAMATIC SPECIAL — HBO

JANE ANDERSON (Teleplay)

Olive Kitteridge

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OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR A MOVIE — ABC

REGINA KING as Aliyah Shadeed

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American Crime

 

OUTSTANDING DIRECTING FOR A LIMITED SERIES, MOVIE OR A DRAMATIC SPECIAL — HBO

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LISA CHOLODENKO (Directed)

Olive Kitteridge

 

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OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR A MOVIE — HBO

BILL MURRAY as Jack Kenninson

Olive Kitteridge

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OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR A MOVIE — HBO

FRANCES MCDORMAND as Olive Kitteridge

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Olive Kitteridge

 

OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR A MOVIE — HBO

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RICHARD JENKINS as Henry Kitteridge

Olive Kitteridge

 

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OUTSTANDING LIMITED SERIES — HBO

OLIVE KITTERIDGE

 

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OUTSTANDING WRITING FOR A VARIETY SERIES — COMEDY CENTRAL

The Daily Show With Jon Stewart

 

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OUTSTANDING VARIETY SKETCH SERIES

INSIDE AMY SCHUMER — COMEDY CENTRAL

 

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OUTSTANDING DIRECTING FOR A VARIETY SERIES

CHUCK O’NEIL (Directed) — COMEDY CENTRAL

The Daily Show With Jon Stewart

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Show 20103

 

OUTSTANDING VARIETY TALK SERIES

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THE DAILY SHOW WITH JON STEWART — COMEDY CENTRAL

 

OUTSTANDING WRITING FOR A DRAMA SERIES

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DAVID BENIOFF (Written) — HBO

D.B. WEISS (Written)

Game Of Thrones

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Mother’s Mercy

 

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES

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UZO ADUBA as Suzanne “Crazy Eyes” Warren — NETFLIX

Orange Is The New Black

 

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OUTSTANDING DIRECTING FOR A DRAMA SERIES

DAVID NUTTER, Directed by— HBO

Game Of Thrones

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Mother’s Mercy

 

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

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PETER DINKLAGE as Tyrion Lannister — HBO

Game Of Thrones

 

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OUTSTANDING LEAD ACTOR IN A DRAMA SERIES

JON HAMM as Don Draper — AMC

Mad Men

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OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES

VIOLA DAVIS as Annalise Keating — ABC

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How To Get Away With Murder

 

OUTSTANDING COMEDY SERIES 

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VEEP — HBO

 

OUTSTANDING DRAMA SERIES

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GAME OF THRONES — HBO

 

The 67th Emmy Awards were hosted by Andy Samberg and produced by Don Mischer Productions. The telecast of the awards will showcase talent and entertainers like Lady Gaga, Rob Lowe, Tina Fey, James Corden, Jimmy Kimmel, Viola Davis, Gina Rodriguez and LL Cool J.

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English Entertainment

The end of Freeview? Britain debates switching off aerial tv by 2034

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UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.

For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.

Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.

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But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.

“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”

Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.

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Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.

Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.

The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.

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Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.

Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.

“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.

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The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.

The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.

Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.

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This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.

Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.

Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.

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That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.

“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”

Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.

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