International
DreamWorks acquires film rights for ‘The Good Luck of Right Now’
MUMBAI: DreamWorks Studios has acquired the film rights to Matthew Quick‘s latest work entitled ‘The Good Luck of Right Now‘.
The story follows the intertwined lives of four people, who are all outsiders in their own right. However, in the wake of grieving over pain and loss in their lives, they come together to form the most unlikely family.
Harper-Collins pre-empted the manuscript for publishing in the US and Canada. They are targeting Spring 2014 to launch the book.
“We immediately sparked to Matthew Quick‘s book and the heart and humor which is infused in his storytelling,” said DreamWorks Studios President of Production Holly Bario. “All of us at DreamWorks are excited to begin developing this story and look to make it a priority at the studio.”
The studio has also acquired the rights of Quick‘s young adult novels ‘Boy 21‘, ‘Forgive Me, Leonard Peacock‘, and ‘Sorta Like a Rock Star‘.
Matthew Quick is represented by CAA in conjunction with Douglas Stewart of Sterling Lord Literistic, who simultaneously negotiated the publishing rights for the book to Harper Collins.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
