Hindi
Distributors’ ‘star films’ gamble backfires
Jagga Jasoos is the latest film to release last Friday. The team of Anurag Basu and Ranbir Kappor who combined to give Barfi (2012) were expected to come up with something better. What is more, even Ranbir Kapoor had put his faith Basu and turned a co-producer in the project!
The film, in the making since 2014, however, turned out to be a major disappointment at the box office. At some places, the early morning shows (9 am) which normally draw the college crowds because of low admission rates, had to be cancelled due to lack of audience.
The film collected Rs 7.9 crore on day one which was not impressive since the film was given an extensive 1800-screen release. Whatever the film collected was mainly from two metros, especially Mumbai followed by Delhi with rest of the circuits being way below par and none crossing even a one crore mark on day one.
The film did show some improvement over the weekend on Saturday and Sunday as children took to the film but, considering the public reports are negative on the film and that it needs to work its way to over Rs 200 crore (Rs 2k million) figure to break even, the figures are not at all encouraging. What is more, there has been a considerable drop on Monday.
On Tubelight front, distributors with the principal distributor, N H Studioz, are reported to have approached Salman Khan Esq for the refund of some amounts as they have suffered huge losses. The film was reportedly sold to N H Studioz for reportedly a whopping Rs 135 crore (Rs 1350 million) which would need a recovery of Rs 325 crore. There are just few precedents of a film doing that kind of business and the gamble by the distributor backfired. The film has fallen short of the target by as much as Rs 225 crore. The Khan Esq is said to be considering the distributors’ request favourably.
*Jagga Jasoos, a film inspired by The Adventures of Tin Tin and other sources, does not quite get the opening it should have considering the film’s cast and others in the billing. The film manages to collect 7.9 crore on its opening Friday. It improves a bit on Saturday and Sunday. The film ends its first weekend with Rs 31.3 crore. The Monday footfalls are not encouraging.
*Mom, again a costly film compared to its face value, stands to lose big time considering it had nothing new to offer. Woman oriented action have it tough to find a slot with the Hindi audience unless backed by a solid story. They are few and far in-between. Bad for Mom that it followed in the same plot as the recently released Maatr, which stole it of its novelty. The film collected Rs 22.5 crore in its first week.
*Guest In London fails badly ending its first week with a meagre Rs 6.7 crore.
*Ek Haseena Thi Ek Deewana Tha adds Rs 30 lakh in its second week taking its two week total to Rs 1.35 crore.
*Tubelight has collected Rs 80 lakh in its third week to take its three week tally to Rs 115.1 crore.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
