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Disney taps Ricky Strauss as worldwide marketing chief

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MUMBAI: Ending its search for a replacement in place of its outgoing marketing head MT Carney, Walt Disney Co has tapped Ricky Strauss, president of Participant Media, as its new head of worldwide marketing. 

Carney, the controversial executive who joined Disney in April 2010 with no experience in the film industry, announced her resignation this week.

With the move, Disney chief Rich Ross has selected a seasoned executive who has worked on The Help, the DreamWorks and Participant-produced drama that Disney distributed in 2011 with much success.

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Said Ross in a statement. “I am happy to welcome Ricky Strauss to the Walt Disney Studios family.With 25 years of industry experience, he brings a deep understanding of all aspects of the film business as well as incredible skill in branding and cutting-edge marketing. He will undoubtedly raise the studios’ creative bar as we enter 2012 and look ahead at showcasing a spectacular slate of films to audiences around the world.”

Disney had been openly seeking a replacement for Carney for months. While some insiders in the industry speculated that Carney departed simply because she was tired of the open search for a replacement, others say that War Horse‘s disappointing performance upset director Steven Spielberg and that the timing of her departure was related to his displeasure.

Disney faces big challenges in the coming months when it will release the sci-fi action adventure John Carter in March and later The Avengers based on the Marvel Comics.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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