English Entertainment
Cupid strikes English entertainment channels this Valentine’s Day
MUMBAI: English entertainment channels are cupid struck this Valentine’s Day as they prep to dish out a unique line-up for entertaining the audience on 14 February.
As the week culminates with Valentine’s Day, channels have been enabling their viewers in expressing and showcasing their love with a special line up of shows.
Let’s take a look on what various channels are doing this Valentine’s Day.
9X Media
9X Media began celebrating love by airing a special Valentine’s ident and multiple shows across all the channels starting 10 February. The Switch Off Karo Sab, Switch On Some Love campaign was conceptualised by 9X Jhakaas head of brand innovation and VP of programming Rohan Rane. The lyric of the track is composed by 9XM and 9X Tashan cluster programming head Baljinder Mahant.
In addition to this, 9XO and 9X Jalwa have lined up special programs on 14 February. Popular animated characters Bade – Chote have joined Tinder and will be providing the singles in town a chance to win free gifts and movie tickets through ‘swipe right and win’ surprise on the popular dating app. Other two special shows include Love-a-thon on 9XO Media and Jalwa Pyaar Ka Panchnama on 9X Jalwa.
Jalwa Pyaar Ka Panchnama will feature songs depicting different stages of love on 13 and 14 February. Adding to it, the channel will also showcase romantic songs of Yash Chopra on 13 and 14 February at 7 pm, whereas 9XO’s Love-a-thon will play songs expressing various stages of a relationship.
ZoOm TV
ZoOm TV, taking the celebration a notch higher, will be playing cupid for its viewers by airing special episodes of Request Kiya Hai, where viewers can send messages to their loved ones through song dedications. The show will be high on the celebrity quotient as well featuring celebrities like Aditya Roy Kapoor, Katrina Kaif and Sonam Kapoor.
Adding to it, the channel also aired two other shows namely Cut It and Yaar Mera Superstar to keep viewers entertained. Yaar Mera Superstar featured the cast of Fitoor in conversation with host of the show Garima Kumar. The channel will also play Top 100 romantic songs from 9 to 14 February. On the other hand, the Valentine’s Day special of Planet Bollywood will be aired on 14 February.
FX HD
FX HD will treat its binge watchers by airing season two marathon of Golden Globe winning show The Affair from 10 am on 14 February on FX and FX HD.
Zee Studio
The channel is going to enthral its viewers by introducing Valentine Playbook. The line up will showcase romantic titles such as Pretty Woman, Sweet Home Alabama, When In Rome, How To Loose A Guy In 10 Days, Love Is All You Need, A Little Bit Of Heaven and The Bounty Hunter.
Zee Café
The channel will premiere a marathon of Red Band Society on 13 and 14 February at 12 pm. It will also engage viewers in a unique way by revealing the fun side of fans with a Dubsmash video on the title track of Pretty Little Liars. The most entertaining Dubsmash video will be featured in Zee Café in March.
Romedy Now
For Valentine’s Day, Romedy Now has lined up special movies on 14 February from 9 am to 11 pm. Films like Hitch, Along Came Polly, My Best Friend’s Wedding, Addicted To Love and 50 First Dates are lined up. The line-up also includes the romantic musical comedy Begin Again, which will be aired at 9 pm.
AXN HD
The channel will air season 11 of Supernatural comprising 13 episodes on 14 February from 9 am to 9 pm.
Colors Infinity
The channel will be airing back to back power packed episodes of Arrow season 4 on 14 February from 9 am onwards.
Vh1
Vh1 will celebrate Valentine’s Day with Vh1 Coupling where it will air romantic videos of couples, who dared to celebrate love on screen. The episode will be aired on 14 February at 8 am.
Comedy Central
Comedy Central viewers can gear up to binge on back-to-back rib tickling series namely A-Z, Awkward, Whitney, Guys with Kids and Marry Me on 14 February from 11 am onwards.
SONY PIX
The channel will air 11 movies on 14 February from 6am to 4am. The Pink Panther 2 will be aired at 6am, Horns will be aired at 12:04pm, The Amazing Spider Man will be aired at 12:54am, Friends With Benefits will be on air at 5:37pm, Freaky Friday will be on air at 3:12 am on 15 February.
English Entertainment
The end of Freeview? Britain debates switching off aerial tv by 2034
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.








