Fiction
Content India summit sets stage for global romp
MUMBAI: India’s entertainment moguls have their sights set on world domination—and they’re not being coy about it. The inaugural Content India Summit 2025 wrapped up two days ago with grand ambitions and plenty of showbiz swagger, positioning itself as the launching pad for Indian content’s international conquest.
The summit, a partnership between DTH platform Dish TV India and C21 Media, brought together industry heavyweights to tackle the thorny question of how to make Indian entertainment as globally irresistible as its cuisine. Conversations probed everything from audience consumption patterns (binge-watching included) to the commercial scalability of Bollywood’s finest exports.
Dish TV’s chief executive Manoj Dobhal didn’t mince words about the company’s ambitions: ” Our vision with Content India is to build a dynamic content eco-system that connects each and every constituent of Content creation in India with global opportunities. The Content India Summit 2025 marks the beginning of a transformative journey—one that fosters long-term collaborations, drives industry innovation, and expands market potential. With Indian storytelling gaining global acclaim, this is the moment to amplify international partnerships and position India as a content powerhouse.”
C21Media’s managing director David Jenkinson chimed in with his own dose of enthusiasm, trumpeting India’s “undeniable influence” on the global content market. Said he: “Content India Summit is a crucial step toward shaping the future of Indian entertainment in a globally connected landscape. This event has brought together the brightest minds in the industry to address key challenges and unlock new opportunities for collaboration. India’s influence on the global content market is undeniable, and this summit lays the foundation for meaningful partnerships that will drive the industry forward.As we look ahead to the full Content India conference in 2026, our mission remains clear—to create a platform where ideas, talent, and business come together to define the next chapter of entertainment. This is just the beginning of an exciting journey for India on the world stage.”
The gathering wasn’t all champagne and canapés, though. Sessions delved into India’s creative advantages—its talent pool, technical prowess, and budget-friendly production costs—while also wrestling with the delicate balance of preserving cultural authenticity while making content palatable for international viewers.
Simon Mirren of Case Closed offered perhaps the most sobering advice: “Understanding the local culture is key to success in the Indian market. Many creators try to make TV for the West, which is a mistake. The focus should be on telling great stories that resonate here.”
For those eagerly awaiting the industry’s new playbook, a report titled The Future of the Indian Entertainment Business Debate is set to drop within four weeks, promising to reveal how Bollywood and beyond plan to seduce global audiences.
With streaming platforms hungry for fresh content and international viewers increasingly open to subtitles, India’s entertainment industry appears ready for its close-up—and Content India seems determined to direct the scene.
MUMBAI: On Christmas morning, whilst most of Mumbai slept off festive cheer, Satyam Tripathi’s heart gave out. 25 December proved cruelly ironic for a man who’d spent his career crafting drama—this time, there would be no second take. He was only 57.
Tripathi was a scriptwriter’s scriptwriter. Within India’s chaotic television industry, where writers are treated rather like spare parts, he’d carved out something rare: respect. For years, he sat on the executive committee of the Screen Writers Association, helping transform along with other leaders, what was once a talking shop into an organisation with teeth. When writers’ rights were little more than punchlines, Tripathi helped pen a different ending.
His credits read like a greatest hits of Indian telly: Hitler Didi, 12/24 Karol Bagh, Ek Mutthi Aasman, Parvarrish Kuchh Khattee Kuchh Meethi. Millions laughed, cried and switched channels to his work. He also championed the association’s Screen Writing Awards, ensuring that good writing didn’t go unnoticed in an industry obsessed with ratings and revenue.
Those who knew him speak of an affable soul, generous with time and advice. In a cut-throat business, Tripathi was that rarest of creatures: genuinely helpful.
His remains were cremated the same evening in the presence of industry associates and friends. The credits rolled quickly. But his final script—a better deal for India’s writers—continues to play out. That’s the sort of ending he’d have appreciated.
(Scriptwriters, producers and friends will be getting together to honour Satyam Kumud Tripathi’s memory and to hold a prayer meeting on 29 December. The location: Shri Guru Singh Sabha Gurudwara, 4 Bungalows, Andheri West, Mumbai. The time: between 3:30 PM and 5:00 PM.)
