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Comic books series Preacher being developed by AMC

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MUMBAI: Preacher, the hugely popular comic book series from the ’90s is finally being adapted into a television series. According to Deadline, American Movie Classics (AMC) and Sony Pictures Television have closed a deal to develop Garth Ennis and Steve Dillon’s controversial comic book series Preacher into a drama series. 

 

AMC’s official statement states, Preacher follows Reverend Jesse Custer, a tough Texas preacher who has lost his faith, has learned that God has left Heaven and abandoned His responsibilities. He finds himself the only person capable of tracking God down, demanding answers, and making Him answer for His dereliction of duty.

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Accompanying Jesse on his journey is his former girlfriend and a friendly vampire who seems to prefer a pint in the pub to the blood of the innocent. On his tail is one of the most iconic bad guys in print – an immortal, unstoppable killing machine named the Saint of Killers – a western lone gunman archetype whose sole purpose is to hunt and kill Jesse.

 

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The project will be written/executive produced by This Is the End writers/directors Seth Rogen (Knocked Up) and Evan Goldberg (This Is The End), with Sam Catlin (Breaking Bad) serving as executive producer/showrunner and Original Films’ Neal Moritz (The Fast & The Furious) and Vivian Cannon (The Big C) also executive producing. 

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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