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Colors Infinity to premiere ‘Heartbeat’ season 1 on 24 March

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MUMBAI: This March, the English Entertainment channel Colors Infinity is all set to launch some fresh content with varied entertainment.

Along with newer episodes of its existing show, the channel is also planning to premiere a new show next month.

While the channel will air new episodes of its existing show Blindspot from 1 March onwards, it will also premiere the first season of the drama titled Heartbeat on 24 March.

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Heartbeat is a British police drama series set in the background of a fictional town Ashfordly, Yorkshire, has an intense storyline revolving around serious crimes and human tragedies. A piercing plot of a young couple shifting into a small town who end up becoming the target of suspicion for everything that goes wrong, is a must watch and surely to look out for!

On the other hand, continuing with the ongoing season, Blindspot’s new episodes will see the plot unfolding in the suspense drama of a tattooed girl, who has lost her memory and is unaware of her own identity.

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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