News Broadcasting
Chandra’s ASC seeks fresh teleport license
NEW DELHI: In a bid to push through a proposal to have a headend in the sky, the Subhash Chandra-promoted ASC Enterprises Ltd., which amongst other things is implementing the Agrani satellite project, has now sought the Indian government’s permission for a licence for a teleport for uplinking purposes. This would also help Agrani as it is a prospective KU-band direct-to-home (DTH) player.
This has been necessitated as an earlier proposal by the Chandra-controlled Zee Telefilms, seeking the government’s green signal to ‘turnaround’ satellite channels in a digital format from its uplink base on the outskirts of Delhi for, what Zee calls, headend in the sky project was turned down on the ground that the proposed project was a case of uplinking for which separate permission would have to be sought.
While government officials admitted to have “seen a headend in the sky proposal in the information and broadcasting ministry and uplink permission” (with Parliament in session, government officials generally are averse to giving out details to the media), Zee group sources indicated that an application from ASC Enterprises for a teleport licence has been submitted recently.
It was also clarified that as Agrani is a serious and prospective DTH player in India, the teleport licence will help it when a DTH platform is put together by it. In the meantime, the teleport facility could also be used for implementing the headend in the sky project.
Zee, through its cable subsidiary Siti Cable, has been aggressively pushing for a headend in the sky which, it says, will substantially lower investments on cable headends by cable operators and multi-system operators as and when conditional access system (CAS) is implemented.
What is headend in the sky ? In short, pay channels are decrypted and aggregated at a central facility, then all channels are up-linked with common CAS inserted. After this, the channels are downlinked at headends where the cable operator with the help of a trans-modulator makes the satellite signals compatible for a cable system and mixes signals of free-to-air channels for further re-distribution to cable subscribers. The combined channels go to subscriber’s set top box and get decrypted for viewing on the TV set.
According to broadcasting industry sources, for the headend in the sky project to succeed, other broadcasters like Star and Sony have to agree to common encryption which, media observers say, is a tough nut to crack. Still, industry sources indicated talks have been initiated at both formal and informal levels with other broadcasters for inclusion of their respective channels in the common encrypted signal. A headend in the sky project is likely to cost between Rs 150-180 million. Technical advantages of this apart, in a post-CAS scenario an average cable operator will have to upgrade his system where the costing may work out between Rs. 60,000- Rs 1,00,000 per channel.
At the moment, an average Indian cable home with a comparatively modern TV set is capable of receiving on an average about 50 channels. According to a blueprint of the headend in the sky proposal, prepared by Siti Cable, if necessary permissions come through, then at a later stage the subscriber, through the set top box, can have a new service or go in for a change in his service mix by calling up a toll free number connecting to the subscriber management system ( SMS) and log in his request. The subscriber management centre gives a message to ‘turnaround’ centre and executes the request through a data controller. The billing is generated by SMS and sent to the subscriber through designated means.
It has also been proposed that all stakeholders in the industry should be part of the headend in the sky project and a separate legal entity can be formed with equity stake offered to all stakeholders, namely broadcasters, cable operators, and MSOs.
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI:Â Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.








