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Cameron displays 18-minute 3D footage of Titanic

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MUMBAI: James Cameron recently unveiled an 18-minute footage from his new 3D version of the 1997 blockbuster hit Titanic. The 1997 disaster epic is in the process of being converted into 3D at a cost of USD 18 million.

Among the footage that was screened include the Jack Dawson (Leonardo DiCaprio) and Rose DeWitt Bukater‘s (Kate Winslet) encounter on the Titantic‘s grand stairwell, their kiss on the bow of the ship and its sinking.”There are certain films that aren‘t being brought back to the theater. There is a whole generation of people who haven‘t seen it at all,” Cameron has been quoted to have said. The director said that there would be no changes to the content of the film.

Titantic grossed $ 1.84 billion worldwide and won 11 Oscars, including those for best picture and best director. It is the second highest grossing film of all time next to Cameron‘s own Avatar that grossed nearly double that amount.

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Cameron also said that while he is typically very much against converting traditional films into 3D, he believes the conversion enriches the film.I totally believe 3D is an enhancement for the dramatic scenes not just the big action,” he added.

The new version of the film is due to be released on April 6 next year.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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