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Brangelina’s secret wedding: Jolie’s father not invited

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MUMBAI: After nine years of togetherness and six children later, Angelina Jolie and Brad Pitt finally tied the knot in an intimate ceremony on 23 August at Chateau Miraval, France.

 

Keeping the whole thing under wraps, while everybody else was preoccupied with the VMA Awards and the Emmy Awards, Pitt and Jolie got their marriage licence in California, and got married in front of a very small group of friends and family.

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According to media reports, along with the rest of the world, Jolie’s father, the veteran actor Jon Voight was also unaware of this event. When asked about the wedding, the actor told TMZ that he first read about them via an online news site.

 

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Jolie and Voight have had a turbulent relationship in the past. Back in 2001, Voight announced that Jolie had been suffering from ‘serious mental problems’ and said that he had urged her to seek professional help. They eventually reconciled in 2011.

 

Asked whether he was upset not to be invited, he responded by saying he was busy with the Emmy Awards anyway, having been nominated for a prize for his portrayal of the character Mickey Donovan in TV series Ray Donovan.

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According to the reports, talking about the wedding he also said, “I’m very happy that I can legitimately call him my son-in-law, this wonderful fellow who I love, you know what, they are very happy. The kids must have had a wonderful time at the wedding, they all had their things to do and it must have been very beautiful so I’m very happy for them.”

 

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Jolie reportedly walked down the aisle with her eldest sons Maddox, 13, and Pax, 10, on each arm while her daughters Zahara and Vivienne threw petals, and Shiloh and Knox served as ring bearers.

 

The secret wedding seems to have been a quiet affair although Brad’s brother Doug Pitt, sister Julie Neal and their respective families are believed to have been there.

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Hollywood

Utopai Studios partners Huace to deploy PAI for long form content

Deal includes revenue sharing as Huace adopts AI engine across global ops

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MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.

At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.

For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.

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The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.

Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.

The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.

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What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.

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