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Brad Pitt-starrer Moneyball to close TIFF

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MUMBAI: Baseball film Moneyball, produced by Bennet Miller will close this year’s Tokyo International Film Festival (TIFF) on 30 October.

Based on the 2003 book Moneyball: The Art of Winning an Unfair Game by Michael Lewis, the film starring Brad Pitt as Oakland Athletics’ general manager Billy Beane tells the true story of how Beane attempted to compete with richer teams by ignoring much of baseball’s conventional wisdom in analyzing players.

The film that was to have been directed by Steven Soderbergh, who was later replaced by Miller. Aaron Sorkin was also brought in to rework the script. Sorkin also wrote the script for The Social Network, TIFF’s opening film last year.

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Moneyball, that also features Jonah Hill, Philip Seymour Hoffman and Robin Wright, will be released in Japan by Sony Pictures Entertainment on 11 November.

TIFF will have double opening films this year with Jackie Chan’s 1911 and The Three Musketeers will be screening at the TIFF on 22 October.
 

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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