Hollywood
“Boonie Bears: Guardian Code” special screening held on Mother’s Day
Mumbai: “Mother’s Day” celebrated at a special screening of “Boonie Bears: Guardian Code” kids’ film with moms & their children well-known mommy bloggers from Mumbai, New Delhi, Bangalore & Chennai treated themselves & their kids to a special siesta. This screening held in various multiplexes was a joyful ride & witnessed them taking selfies in various poses with the standees & backdrops of the film. They were so connected with the film that one can see them rooting for the 2 brothers fighting against all odds to get their lost mother back. In the end, some of them were noticed getting teary-eyed watching the brothers reunite with their mother.
Critics from all the national publications and online-digital platforms have given good favourable reviews to the first-ever Boonie Bears film from the universally loved global franchisee to be released in Indian theatres.
“Boonie Bears – Guardian Code” is a cute alluring journey of two lovable Bear Cubs Briar & Bramble who have been living happily with their mother Barbara in the forest of Crystal Peaks until a devastating fire separates them from their mother. Many years later they get a mysterious clue about their mother being alive. Determined to unravel the mystery of her disappearance with grit & courage, the bear brothers ultimately emerge victorious by confronting the truth & rescuing her from the villains. The title of the Hindi version is called “ “Boonie Bears – Mumma Ki Khoj” & the Bear Cubs are called Bunnu & Munnu.
This is the eleventh animation feature film from the globally beloved “Boonie Bears” animated franchise which has captivated audiences across 82 countries worldwide since 2012.
Ultra Media & Entertainment Group director Rajat Agrawal quoted, “ We are extremely thrilled to bring Boonie Bears to Indian cinemas. The sheer fan following that the franchise had been enjoying globally is a testament of its universal appeal. The emotional quotient of the film will resonate well with the Indian audience. We also have been observing that there is a dearth of good films for children in India. Hence we also strategically timed the release to sync it with the summer vacation of the children, so that they can enjoy it in the theatres with their family in leisure “
The adventures of Bonnie Bears have transcended language barriers, fascinating audiences of all ages with their endearing antics & heartwarming narratives. They have become a cultural phenomenon, enchanting generations with their timeless charm & universal appeal.
Boonie Bears, an international franchise has evolved into a highly cherished animated universe with 10 films & extensive TV series spanning 11 seasons with 728 episodes worldwide since its debut on 22 January 2012. Alongside it, Boonie Bears has also expanded its reach with five books, further enriching its immersive universe. It is currently being streamed on Netflix, Sony & Disney globally.
The “Boonie Bears” film series is based on the wildly popular animated television show produced by Fantawild Holdings Inc. Boonie Bears series started its worldwide theatrical journey in 2014, Boonie Bears : Guardian Code garnered a Worldwide Box office of $220 million. The film is acquired & released in India by Ultra Media & Entertainment Group.
Television series: Boonie Bears was first shown on television in 2013 with BB: Homeward & in 2014 with BB: Robo-Rumble. It garnered huge traction & became the most popular children’s show globally. Following this an array of TV series was aired which spanned 11 seasons with 728 episodes worldwide since its debut.
Hollywood
Disney to cut 1,000 jobs in major restructuring drive
Layoffs span ESPN, studios and tech as company pivots to growth
MUMBAI: The magic isn’t disappearing but it is being reorganised. The Walt Disney Company has announced plans to cut around 1,000 jobs as part of a sweeping restructuring effort aimed at sharpening its edge in an increasingly unpredictable entertainment landscape. The move, led by CEO Josh D’Amaro, reflects a broader internal reset as the company rethinks how it operates, allocates resources and competes in a fast-evolving industry. In a memo to employees, D’Amaro acknowledged the difficulty of the decision but framed it as a necessary step to ensure Disney remains “efficient, innovative, and responsive” to rapid shifts in consumer behaviour and technology.
The layoffs will span multiple divisions, including marketing, film and television studios, ESPN, technology teams and corporate functions. Notifications have already begun, signalling that the restructuring is not a distant plan but an active transition underway.
Importantly, the company has clarified that the cuts are not performance-driven. Instead, they form part of a wider transformation strategy aimed at building a leaner, more agile organisation, one better equipped to respond to streaming dynamics, digital disruption and evolving audience expectations.
The timing is telling. The global entertainment industry is in the middle of a structural shift, with traditional television revenues under pressure and box office returns becoming increasingly volatile. Meanwhile, streaming platforms and digital-first competitors continue to redraw the rules of engagement, forcing legacy players to rethink scale, speed and storytelling formats.
For Disney, long synonymous with blockbuster franchises and timeless storytelling, the pivot is both strategic and symbolic. The company is doubling down on technology, direct-to-consumer services and content ecosystems that align with modern viewing habits, where audiences expect immediacy, personalisation and cross-platform experiences.
Even as the restructuring unfolds, D’Amaro struck a note of optimism, reiterating Disney’s commitment to creativity and long-term growth. Support measures for affected employees are expected as part of the transition, though details remain limited.
In essence, this is less about cutting back and more about reshaping forward. As Disney redraws its organisational map, the message is clear, in today’s entertainment world, even the most magical kingdoms must evolve or risk being left behind.
