Hollywood
‘Back to the Future’ to return after three decades
NEW DELHI: The film Back to the Future will mark its 30th anniversary next May in a manner that will make it sound like new.
Select concert venues will present Robert Zemeckis’s time-jumping blockbuster along with a live orchestra performing Alan Silvestri’s memorable score in sync with the film.
The film made in 1985 showed how a young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
The classic was directed by Robert Zemeckis, written by Zemeckis and Bob Gale and starred Michael J Fox, Christopher Lloyd, and Lea Thompson in lead roles.
The world premiere of the live-music cinematic event—a joint collaboration between Universal, IMG Artists, and the Gorfaine/Schwartz Agency—will be performed by the 21st Century Orchestra in Lucerne, Switzerland in late May.
Alan Silvestri, who worked with Zemeckis on 14 movies, is also writing 15 minutes of new music for the film that will be performed exclusively at these anniversary screenings.
Hollywood
Who is Geeta Gandbhir? The director behind two separate Oscar-nominated films in one historic year
The Emmy-winning filmmaker makes history with dual documentary nominations at this year’s Oscars.
LOS ANGELES: If Hollywood loves a breakout moment, this year it belongs to Geeta Gandbhir. Long respected within documentary circles, Gandbhir has suddenly become a mainstream name after scoring two Oscar nominations in the same season, one for a feature and one for a short. It is a rare feat. It is historic. And it has prompted one big question: who exactly is the filmmaker behind this double triumph?
Before stepping into the director’s chair, Gandbhir built her reputation as a razor-sharp editor. That technical grounding shaped her storytelling style, which is precise, unsentimental and emotionally direct. Her early career included working alongside Spike Lee, an apprenticeship that sharpened both her political lens and cinematic instincts.
Over the years, she accumulated multiple Emmy Awards and a Peabody, quietly becoming one of the most respected nonfiction voices in American television.
Her feature-length nominee, The Perfect Neighbor, released on Netflix, investigates the fatal shooting of Ajike Owens through stark police body-cam footage. The film strips away dramatic embellishment and instead relies on unfiltered visual evidence to confront viewers with uncomfortable truths.
At the same time, her short film The Devil Is Busy, streaming on HBO Max, offers an intimate, ground-level look inside an abortion clinic in Atlanta. Co-directed with Christalyn Hampton, it trades scale for immediacy and delivers impact in under an hour.
The contrast between the two projects, one investigative and expansive, the other intimate and observational, highlights Gandbhir’s range. Yet both share a common thread, which is a focus on lived reality rather than spectacle.
Documentary filmmaking is often seen as awards adjacent and respected but rarely spotlighted. Gandbhir’s dual nomination changes that narrative. It positions her not just as a contender, but as a defining nonfiction voice of her generation.
Whether she takes home one statuette or two, the achievement itself has already reshaped the Oscar conversation and cemented her place in film history.
