English Entertainment
AXN to roll out Sci-Fi, Crime Networks in Central Europe
MUMBAI: Sony Pictures Television International (SPTI) has announced plans to launch two new thematic channels in Poland, Romania, Bulgaria and Hungary: AXN Sci-Fi and AXN Crime.
The ad-supported channels will be dubbed into local languages in their markets and will also feature locally produced interstitial material. Both will deliver series on weekdays and movies on weekends, and both new networks will be overseen by AXN Central Europe GM Stephen White.
White says, “These new thematic channels build on the success story of AXN in Central Europe since its launch in 2003 and the move is supported by research and feedback from AXN’s viewers which shows that there is a great demand for high quality sci-fi and crime programming. AXN is the first in the Central European region to dedicate channels to these popular genres.”
AXN Crime will offer up the SPTI series The Shield and the David Caruso police detective drama Michael Hayes, among others, while AXN SCI-FI’s key offerings will include Star Trek: Enterprise, Andromeda, Sliders, Charlie Jade, Battlestar Galactica and Trucks.
English Entertainment
Ellison takes his Paramount-Warner Bros case straight to theater owners
The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting
CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.
The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.
“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”
It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.
Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.
He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.
“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”
Fine words. The regulators, however, will have the last one.
