iWorld
Arre’s first sitcom ‘I Don’t Watch TV’ to launch in February
MUMBAI: Arré, the digital media company founded by Ronnie Screwvala along with B Saikumar and Ajay Chacko, is all set to launch its first sitcom in February 2016.
The show titled as I Don’t Watch TV (IDWT) is a wild comedy on the evolving Indian TV industry. The first season consisting of five episodes is already shot and will launch in February, while the second season is under production.
The show will draw commentary on Indian celebrities and the growing obsession with Bollywood. The show is produced by Nakuul Mehta and will star some of the biggest names from daily soaps.
Directed by Ajay Singh, the show will give a close personal look at the daily soap world through Mehta’s eyes.
Other personalities that will be seen on the show are Drashti Dhami, Karan Patel, Rithvik Dhanjani, Kritika Kamra and Karan Wahi amongst others. The show will also feature Alekh Sanghal and Ram Menon.
Not restricting itself to daily soaps, the show has a humorous cameo by film critic Rajeev Masand.
Arré founder and MD B Saikumar said, “Arré aims to be a multi-genre, multi-format content brand and for the mobile and digital consumer who is increasingly moving away from TV – to that end, I Don’t Watch TV, is perhaps the ideal sitcom to launch our video slate with. We don’t believe in doing the straight and narrow and after Ho Ja Re-Gender, a social experiment on gender issues, we now present IDWT, which is a fictionalised, irreverent, yet realistic look at the idiosyncrasies of the daily soap industry. And Nakuul represents the honesty and the dichotomy of this age – and we’re thrilled that he is so passionate about this project himself.”
Mehta said, “We found a great synergy with the folks at Arré and their backing of disruptive ideas makes them a perfect platform for IDWT. This series is truth meets part fiction meets part bizarre, which in essence is Indian television, today. It has been our labour of love and we have been keen to tell this story for a long time as it is personal and quite intense in a lot of ways, though it’s presented in a humorous and edgy way.”
iWorld
Spotify spotlights Premium with AI DJ and Lossless Audio push
Five week campaign highlights personalisation and high fidelity listening.
MUMBAI: Your playlist just got a promotion and it now comes with a DJ who never sleeps. Spotify is turning up the volume on its Premium proposition, rolling out a new campaign that places product features not just music centre stage.
At the heart of the push are two upgrades: AI DJ and Lossless Audio. Rather than pitching them as add-ons, Spotify positions these as the engines quietly reshaping how people listen, moving the experience from passive playback to something far more intuitive and immersive.
The campaign unfolds through two feature-led films rooted in everyday listening moments. One spot leans into AI DJ as a hyper-personalised curator, adapting in real time to mood, taste and listening patterns essentially turning algorithms into something that feels almost human. The other film zooms in on Lossless Audio, emphasising richer, high-fidelity sound that captures nuances often lost in compressed streaming.
It’s a strategic shift in storytelling. Instead of selling access to content, Spotify is selling how that content feels smarter, sharper, and more tailored to the individual listener.
The rollout is equally expansive. The five-week campaign spans digital video, connected TV, audio, out-of-home, social media and in-app integrations, ensuring visibility across both digital and physical touchpoints. The idea is clear: meet users wherever they are, and remind them that Premium is designed to follow.
There’s also a strong regional layer baked in. With integrations across Tamil and Telugu music, Spotify is leaning into India’s linguistic diversity, acknowledging that personalisation in this market is as much cultural as it is technological.
The broader play is hard to miss. In an increasingly crowded streaming landscape, differentiation is no longer just about catalogue size or pricing. It’s about experience. By foregrounding AI-led curation and high-quality audio, Spotify is betting that the next phase of competition will be won not by what users listen to, but how they listen to it.
And if this campaign is anything to go by, the platform is keen to ensure that every tap of the play button feels a little more like a performance.
