Hollywood
Adam Sandler is highest paid actors: Forbes
MUMBAI: As the year comes to an end, Forbes listed Hollywood’s highest paid actors of 2014. Forbes compiled the annual ranking by looking at the estimated salaries of Hollywood’s top stars, the budget and revenue of the last three films each actor starred in before June 2014 to determine a return on investment for each actor.
For the second consecutive year, comedian Adam Sandler topped the list, leaving behind stars Johnny Depp and Tom Hanks. According to Forbes, for every $1 Sandler was paid, he returned an average of $3.20 approximately.
Adam Sandler’s latest film Grown Ups 2 was a hit, raking $246m at the global box office.
Depp, the star of the hugely successful Pirates of the Caribbean films, came in second, returning an average of $4.10 for each dollar paid, because of recent flops like The Lone Ranger and Dark Shadows.
Comedian Ben Stiller, whose film Night at the Museum: Secrets of the Tomb opened in US theaters earlier this month, ranked third with a $4.80 return, due to Tower Heist and The Watch, which did not perform well at the box office.
Ryan Reynolds, who starred in Green Lantern, was fourth with $4.90 for each dollar paid, followed by dual Oscar winner Tom Hanks, who pulled in a $5.20 return, rounding out the top five.
Animated and limited release films and movies featuring cameo roles were not included in the calculations.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
