Hollywood
A single computer would have taken 450 years to create ‘Godzilla’, say filmmakers
NEW DELHI: Gareth Edwards’ Godzilla, the newest iteration of the famed movie monster, is the tallest version to ever grace the screen coming in at 355 feet with a tail that spans 550 feet.
It took 50,000 polygons to create the 3D model of thrashing purveyor of doom, which should explain the incredible amount of data that he is made of: it would take a single computer 445 years to render the monster.
That means that one computer would have had to start work in 1569 to complete the film in time for its release.
The film has several other impressive statistics that bode well for the upcoming film’s visual effects.
According to The Creators Project, the $160-million blockbuster had 762 visual effects crewmembers working on its 960 shots. Four of those CGI artists were specifically tasked with creating Godzilla’s scales, and it took them six months to do so.
The filmmakers were also keen on making Godzilla’s bark as big as his bite. His roar was recorded through a speaker array blasting 100,000 watts of sound in order to make it feel more real. The sound reverberates over three miles.
The film stars Bryan Cranston in his first leading gig since Breaking Bad’s finale.
The Movie Bit has made a video compiling all the statistics from both the production of the feature, as well as the nitty-gritty measurements of what this monster would look like if it were actually real.
Godzilla may only have 60 teeth, but each canine is about 4-feet-long and 2-feet wide—about the size of a thin (and Hattori Hanzo-sharp) boogie board. It would take 90,000 tons of water to fill the monster to its brim.
The Monster’s Stats:
Height: 355ft (108.2m) Godzilla’s towering height in the 2014 film—the tallest onscreen incarnation ever
Tail: 550ft 4in (167.74m) Total length of Godzilla’s spiked tail
Volume: 89,724 m3 Godzilla’s total volume in the 2014 film
Volume: 90,000 tons Godzilla’s volume if filled with water
Teeth: 1.73ft (53cm) Depth of Godzilla’s canine teeth at their widest point
Teeth: 3.51ft (1.07m) Length from the root to the tips of Godzilla’s canine teeth
Teeth: 60 Teeth in Godzilla’s mouth
Roar: 3 miles (4.83km) Approximate distance Godzilla’s roar reverberates. (100,000W Power of the 12-foot-high, 18-foot-wide speaker array from which the sound designers blasted Godzilla’s roar to record the sound in a “real world” context)
Feet: 58ft (17.66m) Total width of Godzilla’s feet across the widest point
Feet: 60ft (18.18m) Length of Godzilla’s footprint from toe to heel
Fins: 89 Dorsal fins spiking down Godzilla’s back from his head to the tip of his tail
Hollywood
Disney chair confident CEO Josh D’Amaro will ‘rise to the occasion’ in Trump–Kimmel row
Board backs new chief as ABC controversy tests leadership early on
NEW YORK: The Walt Disney Company has placed the responsibility of handling the escalating dispute between Donald Trump and late-night host Jimmy Kimmel squarely on its new chief executive, Josh D’Amaro.
Speaking at a business conference in Oslo, Disney chair James Gorman said it would be up to the CEO and his team to determine the company’s response to the controversy surrounding Jimmy Kimmel Live!. He noted that such challenges are not uncommon for large corporations and require careful handling at the leadership level.
The row intensified after both Donald Trump and Melania Trump publicly called for Kimmel’s dismissal following remarks made on his show. The comments, which referenced the First Lady, sparked backlash in the days leading up to a security incident at the White House Correspondents’ Dinner.
Kimmel addressed the issue on-air, clarifying that his joke was intended as a reference to the couple’s age difference and not an incitement to violence. He also expressed sympathy for those affected by the incident and reiterated his stance against violent rhetoric.
Despite mounting pressure, Gorman refrained from offering specific guidance on the future of the show or the host. Instead, he voiced confidence in D’Amaro’s leadership, describing him as “world class” and capable of navigating the situation effectively.
The episode presents an early and high-profile test for D’Amaro, who stepped into the top role just last month. How Disney balances editorial independence, public sentiment and political pressure will likely shape not just the outcome of this controversy, but also the tone of its leadership in the months ahead.
