Hollywood
‘8 mile’, Ray, ‘Jersey Boys’ on MN+ this month
MUMBAI: MN+ is all set to get a musical twist this November with their latest property The Right Notes. The property will feature a line-up of Hollywood’s finest musical movies that will air every Saturday throughout the month at 11 pm.
The musical extravaganza will begin with the movie 8 mile, starring Eminem. The movie is a story of a young rapper, born fighter who against all odds strives to reach the epitome of success. It showcases the man’s struggle and features the obstacles he faces in the form of friends and foes that makes this trip harder than it may seem.
Following that is another film based on the true story of musician Ray Charles. Titled Ray, the movie depicts the humble beginnings the artist had in life, where he lost his eyesight at the age of 7, and then rose to fame during the 1950s and 1960s.
Other movies that feature in this exclusive line-up are — Jersey Boys and Billy Elliot the Musical. These movies will air every Sunday at 11 pm.
MN+ will also showcase various other properties like Pathbreakers which is a compilation of the best of Hollywood movies that redefined cinema till date and Hollywood Gold which showcases Hollywood’s finest movies like Rain Man, Clerks, Equilibrium and Ray. These movies will be aired throughout the month every Mon-Fri at 9 pm.
Director’s Cut will celebrate the finest work of director Coen Brothers. The movie line – up includes Fargo, The Big Lebowski and Burn after Reading. These movies will air from 5–19 November, every Saturday at 9 pm.
MN+ will showcase their centre stage movie of the month Theory of Everything on 20 November at 9 pm.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
