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4Kids Entertainment licenses ‘Teenage Mutant Ninja Turtles- Fast Forward’ to major international broadcasters

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MUMBAI: 4Kids Entertainment has secured a number of key broadcast sales for its hit animated action comedy adventure series Teenage Mutant Ninja Turtles – Fast Forward to leading international broadcasters.

New episodes of one of the most successful brands in global kids TV entertainment are set to launch on ITV Network (UK), RTVE (Spain) and Media Set (Italy) among others. ITV (UK) has acquired rights to both ITV and CiTV while RTVE (Spain) has acquired all 130 episodes of the TMNT series.

Brian Lacey, EVP international for 4Kids Entertainment noted that recent licensees for the all-new hit animated action comedy adventure series also included SIC (Portugal), Ten Network (Australia), Cartoon Network (Australia & NZ), DR TV (Denmark), and Mediacorp TV12’s Kid Central (Singapore) among others.

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The Turtles are also returning to the big screen with an all-new CGI-animated feature film TMNT premiering on 23 March. The movie, produced by Imagi Entertainment, will be distributed by Warner Bros. Pictures domestically and The Weinstein Company internationally.

The Teenage Mutant Ninja Turtles (130 x 30’) animated series has been a top-performing program around the world. The global broadcast lineup already includes TF1 (France), Alter TV (Greece), Teletoon (Canada), Cartoon Network (U.S.), RTL 2 and Jetix (Germany), TV3 (Russia), RTL Klub (Hungary), Minimax (Hungary, Czech Republic, Slovakia, Romania) and Nova TV (Bulgaria), RTE (Ireland), MTV3 (Finland), RTL-TVI and VMM (Belgium), Cartoon Network (Scandinavia), TV3 (New Zealand), SABC2 (South Africa), Televisa (Mexico), TV3 (Malaysia), Children’s Channel (Israel), Icelandic Broadcasting Corp. (Iceland), ABS-CBN (Philippines) and Cartoon Network (Philippines) among others.

The Teenage Mutant Ninja Turtles were created in 1984 when Peter Laird and Kevin Eastman published a 40-page, black-and-white comic book. From the late 1980’s through the early 1990’s, the original animated adventures of the Teenage Mutant Ninja Turtles dominated kids’ entertainment.

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Animation

A new chapter unfolds as Lens Vault Studios debuts Bal Tanhaji

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MUMBAI: History is getting a fresh rewrite this time with code, creativity and a longer arc in mind. Lens Vault Studios has announced its first original production, Bal Tanhaji, marking the official entry of the newly launched, tech-driven studio into India’s evolving entertainment landscape.

Arriving six years after the box-office success of Tanhaji: The Unsung Warrior, the new project expands the universe rather than revisiting familiar ground. Bal Tanhaji explores uncharted narrative territory, signalling a clear shift from one-off cinematic spectacles to long-format, world-building storytelling designed for digital-first audiences.

At the heart of this ambition is Prismix Studios, the in-house generative AI and technology arm powering the creative engine behind the show. The studio’s approach blends storytelling with next-generation tools, aiming to reimagine how Indian IPs are created, scaled and sustained beyond theatrical releases.

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For Lens Vault Studios chairman Ajay Devgn the new venture represents a deliberate step beyond traditional cinema. The focus is firmly on building long-form intellectual properties across fiction and non-fiction, tailored to changing viewing habits and platform-led consumption. He said the studio intends to explore formats that remain largely untapped, while drawing on the team’s experience with large-scale cinematic storytelling.

Lens Vault Studios founder and CEO Danish Devgn echoed that sentiment, describing Bal Tanhaji as the studio’s first generative-AI-led IP and the starting point of a broader vision. The aim, he noted, is to carry forward the legacy of the Tanhaji universe while connecting with younger audiences through a blend of powerful narratives and emerging technologies.

With Bal Tanhaji, Lens Vault Studios is planting its flag early not just launching a show, but signalling a larger play for cinematic universes that live, grow and evolve across platforms. If this debut is any indication, the future of Indian storytelling may be as much about imagination as it is about innovation.

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