Hindi
‘Warning’: Nothing to be scared of
Warning is an attempt to make something different in that it chooses an underwater theme with 3D effects. However, trying to be different does not amount to being original. Thus, the film borrows heavily from an English film, Open Water 2: Adrift.
A bunch of friends decide to go mid-sea for a break and celebrate their reunion. These seven friends decide to go for a swim and sure enough all of them jump into the sea leaving only a year old toddler aboard. While they are having fun they don’t realise they have no way of getting back on the yacht because, in their joyous mood, they have forgotten to lower the ladder to board the yacht again.
When they realise, they try to devise ways to climb back while they ward off sharks and struggle to stay afloat. Meanwhile, the little baby is alone on the yacht and crying. As would happen in any reunion, the past incidents catch up with the group. Past enmity too resurfaces. To add some tense moments, one of the girls forced to jump into the water suffers from aqua-phobia.
There is no suspense in the film as such except how many will be sacrificed while efforts are being made to climb back aboard and how many will make it out alive. In fact, the film takes recourse to the original source in plotting its sequence of events.
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Producer: Anubhav Sinha, Parag Sanghvi, Sunil A Lulla.
Director: Gurmeet Singh. Cast: Santosh Barmola, Suzana Rodrigues, Manjari Fadnis, Varun Sharma, Jitin Gulati, Sumit Suri, MadhurimaTuli. |
The film is well endowed with good photography and background score but despite a readymade subject and 3D effects to play with, it is the treatment that is seen to be wanting. The film fails to scare or even cause anxiety in any sequence. Performances range from average to passable.
Warning 3D will prove to be one of those also ran films.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
