Hindi
Single window system for filmmakers still far away
NEW DELHI: The severity of the rules and regulations may vary from country to country or state to state, but the concept of a single window clearance for makers of short or feature films is still a long distance away.
Even though Goa stood out for its positive steps at the Open Forum on ‘Single Window Clearance for Documentary Films’ organized by the Indian Documentary Producers Association at the ongoing MIFF, speakers generally admitted that permissions to shoot were not a piece of cake anywhere in the world.
Heinz Dill of the Swiss Film Commission said that the Commission could at best be a link between the filmmaker and the Government but one would have to find a local partner who could get all the necessary permissions.
Though many Indian films were being shot in his country, he said these filmmakers did not work methodically the way others do.
“Single window clearance is wishful thinking and things are not easy,” he admitted. But the Commission could help to find local artistes or technicians who would then be paid according to the Swiss salary structure.
Dill also said there was no tax concession for filmmakers shooting there, answering a question about the foreign exchange that the Swiss government earned.
Lucia Rikaki who is involved with two film festivals in Greece said Film Commissions existed in most countries but that did not make problems simpler for filmmakers. In addition, there were problems of censorship and release forms, but permissions can take more than a month. A line producer was a great help for any filmmaker from outside Greece. Separate censor clearance would also be required if the film is to be released in Greece.
Manoj Srivastava, Chief Executive Officer of the Entertainment Society of Goa, said the Society had worked out a single window clearance system where a filmmaker seeking permissions would have to pay a fee of Rs 6000 per day and will get a reply within 72 hours. The ESG will interact with various authorities during that period. He said shooting permission in Marmugao Port was the only irritant since it took longer time.
He said the ESG could obtain permissions for almost the entire 105 km of coastline and all the 66 beaches in the tiny state.
The ESG also had eleven registered line producers, panels of artistes, a research team, and even arrangements for a police team for protection (for a fee). Any VAT paid by the filmmaker (presently 15 per cent) will be reimbursed within a month on submission of the necessary bills.
Shooting a film without permission is punishable with a fine of Rs 500,000 and so this is necessary. While there is no system of release forms, a no-objection certificate is given when permission is extended.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
