International
Shyamalan’s The Airbender tops Razzie awards
MUMBAI: M Night Shyamalan‘s The Last Airbender and comedy Sex and the City 2 were the top two films that earned the wrath of Razzie voters in the annual Oscar spoof that spotlights Hollywood`s worst performances.
Meanwhile stars of Valentine`s Day Ashton Kutcher and Jessica Alba picked up Golden Raspberry Awards for worst actor and actress respectively.
But it was a bad night for the Shyamalan film that won five Razzies to eclipse all other films of last year. The director was named the worst director for his film and to his discredit, the film was proclaimed as the “worst eye-gouging misuse of 3-D.”
Sarah Jessica Parker, Kim Cattrall, Cynthia Nixon and Kristen Davis, the four principle stars of Sex and the City 2 were collectively named worst actress at the Razzies. The so-called “winners” were determined by ballots from some 657 voters in the United States and 17 foreign countries.
Others who won the Razzies were Jessica Alba, worst supporting actress for The Killer Inside Me, Little Fockers, Machete and Valentine`s Day, Jackson Rathbone, worst supporting actor for The Last Airbender and The Twilight Saga: Eclipse, worse screen couple/worst screen ensemble, The entire cast of Sex and the City 2, worst screenplay, The Last Airbender and Sex and the City 2, worst prequel, remake, rip-off or sequel.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
