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Scott Cooper replacing Ben Affleck as director of Stephen King’s ‘The Stand’

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MUMBAI: Warner Bros has set Scott Cooper to re-write and direct The Stand, the seminal post-apocalyptic Stephen King novel. That means that while the studio has roped in Ben Affleck as its new Caped Crusader for Batman vs Superman, Affleck has withdrawn from The Stand. He had been set in late 2011 to write the script and helm the project. Affleck is busy directing and starring in his scripted adaptation of Dennis Lehane‘s Live By Night for Warner Bros.






Warner Bros is teamed on the project with CBS Films, which is co-producing and co-presenting and possibly financing the project together. Dave Kajganich scribed the first draft. Published in 1978, the mammoth novel covered a biological apocalyptic disaster that decimated the population. The survivors then had to try and piece together a new form of humanity and it became a good vs evil struggle, with elements of the supernatural thrown in for good measure. King was at his best, both in creating depictions of the demise of civilization and in the arcs of characters good and bad who became important in a new order.


Roy Lee and Mosaic are producing for Warners and Jon Berg is the studio exec. Cooper is currently developing Creek with Leonardo DiCaprio, and his next film, Out Of The Furnace, is set to release 6 December. That one was produced by Appian Way and Scott Free. Cooper, the actor-turned-filmmaker who made his breakthrough with the Jeff Bridges-starrer Crazy Heart, is represented by CAA and attorney Darren Trattner.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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