International
‘Qissa’ wins NETPAC Award at 13th Toronto International Film Festival
NEW DELHI: Qissa by Anup Singh has won the NETPAC Award for World or International Asian Film Premiere at the 13th Toronto International Film Festival.
The award is instituted by the Network for the promotion of Asian Cinema and given at very few festivals.
Jury members include Jay Jeon (Korea), Intishal Al Timimi (Abu Dhabi) and Freddie Wong (Hong Kong).
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The jury remarked: “The NETPAC Award for the best Asian film at Festival 2013 goes to Qissa, directed by Anup Singh, for its sensitive portrayal of the issues of identity and displacement that affect people not only in India, but in all parts of the world and for brilliance of cinematic craft and the choice of metaphor that has been employed to tell a moving story that is bound to provoke thoughts, spark debate and give its viewers an intense experience.”
Set amidst the ethnic cleansing and general chaos that accompanied India’s partition in 1947, this sweeping drama stars Irrfan Khan – also appearing at the Festival in The Lunchbox – as a Sikh attempting to forge a new life for his family while keeping their true identities a secret from their community.
Beautiful, timeless, and touching the deepest of human impulses, Qissa carries the spirit of a great folk tale. Although it‘s set in a particular time and place – the Punjab region that straddles India and Pakistan in the years immediately after partition – it is both deeper and broader than any one moment. As this eerie family drama progresses, it cuts to the heart of eternal desires for honour, empathy, and love.
One of India‘s best actors, Irrfan Khan (Life of Pi, Festival premiere The Lunchbox, and a feature guest in this year‘s Mavericks programme) plays Umber Singh, a Sikh uprooted by the religious violence that came with partition in 1947. He and his family move to a safer locale, and it is here that the story takes a remarkable turn. Having already fathered daughters, Singh now wants a son. When his next child is born he celebrates his wish come true, but there is one problem: the baby is in fact a girl.
Qissa is originally an Arabic word meaning folk tale. Both the word and the idea migrated from the Gulf into the Punjab, still connected by the ancient oral narratives handed down in communal settings. Working within this tradition, director Anup Singh gives his film both the grand themes and elemental emotions of classic storytelling. As Umber‘s daughter is raised as a boy, the characters are propelled with greater and greater urgency towards their inevitable fates.
Part of a new generation of directors with feet firmly planted in India and far beyond, Singh has delivered a film immediately accessible to anyone sensitive to the conflicts that drive classic stories: fear versus hubris, individual need versus social codes. Qissa is a Punjabi story for the whole world.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
